| 论唐代格法理论的新变 |
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| 引用本文： | 许连军.论唐代格法理论的新变[J].湖南文理学院学报(社会科学版),2006,31(4):77-81. |
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| 作者姓名： | 许连军 |
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| 作者单位： | 武汉大学文学院 湖北武汉430000 |
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| 摘 要： | 唐人声律理论的重要贡献就是将永明声律的“四声”、“八病”简化,使之不再繁琐苛细,免于触处犯禁、动辄得咎。具体说来有三个方面的贡献与新变:四声的二元化,粘对规则的确立,对偶说的发展。更为重要的是,唐人很好地将格律形式和诗歌风格、情感抒发等问题联系在一起,推动了唐代诗歌艺术走向顶峰。
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| 关 键 词： | 唐代 格法 新变 |
| 文章编号： | 1672-6154(2006)04-0077-05 |
| 修稿时间： | 2006年4月12日 |
On the Theoretical New Change of Metrics in Tang Dynasty |
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| XU Lian-jun.On the Theoretical New Change of Metrics in Tang Dynasty[J].Journal of Hunan University of Arts and Science:Social Science Edition,2006,31(4):77-81. |
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| Authors: | XU Lian-jun |
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| Abstract: | The important contribution of metrics theory of Tang is to simplify the "four tones" and "eight faults" in metrics theory of Yongming,that makes it no-fussy and makes people make mistakes easily.In concrete speaking,there are three contributions and new changes of Tang: duality of four tones;establishment of conglutination;and development of antithesis.What's more important,people of Tang connected metrics forms,poetic styles and emotional expressions,promoting poetic art of Tang to the zenith. |
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| Keywords: | Tang dynasty metrics new changes |
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