| 尼采美学中的“陶醉”与“形式”概念 |
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| 引用本文： | 刘李.尼采美学中的“陶醉”与“形式”概念[J].河南社会科学,2012(7):41-43,107. |
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| 作者姓名： | 刘李 |
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| 作者单位： | 吉林大学 哲学社会学院,吉林 长春,130012 |
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| 基金项目： | 吉林大学杰出青年项目(2011QG004) |
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| 摘 要： | "陶醉"与"形式"是尼采后期美学的基本概念。尼采基于强力意志形而上学的立场将陶醉的本质规定为力的提升与丰富感,将形式规定为强力意志的最集中表现;陶醉与形式各自指称的审美实事具有本质关联并共属于尼采刻画的"艺术现实性整体"。对这两个概念的深入分析有助于我们全面深入地把握尼采的美学思想。
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| 关 键 词： | 陶醉 形式 强力意志 艺术现实性整体 |
Conception of Euphoria and Form in Nietzsche’s Esthetics |
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| Liu Li.Conception of Euphoria and Form in Nietzsche’s Esthetics[J].Henan Social Sciences,2012(7):41-43,107. |
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| Authors: | Liu Li |
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| Abstract: | Intoxication and Form are two fundamental concepts in Nietzsche’s aesthetics. Based on the ontology of the will to power, Nietzsche defined intoxication as the raising and abundance power. He also defined form as the convergence representation of the will to power. These two concepts are essentially related to each other, and they belong to "the entirety of aesthetic reality". Analysis to these two concepts can help us understand Nietzsche’s aesthetics comprehensively. |
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| Keywords: | intoxication form the will to power the entirety of aesthetic reality |
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