东野圭吾推理艺术创作研究

日本推理小说带动世界推理小说进入第三个黄金时代,以《恶意》《白夜行》两部作品为出发点,从推理结构、叙述视角、推理空间和推理结果等方面总结东野圭吾作品的推理特点,进而研究日本推理小说的发展脉络、东野圭吾独特的“写实本格派”的风格和推理艺术。研究认为,东野圭吾在“本格派”“社会派”基础上,将推理和写实结合形成独特的"写实本格派"创作风格; 其独特的推理艺术特点是多线模式的推理结构、注重叙述视角的灵活运用、关注推理社会空间的立体性; 其作品呈现出严谨的高智商性推理模式,通过多层次悬念的设置,满足读者的阅读期待,并将作品与社会现实相结合,使作品兼具艺术性和真实感。

Study on the reasoning art of Keigo's Higashino works

Japanese mystery fiction drives the development of mystery fiction in the world into the third golden age. From the perspective of Keigo Higashino's two novels, namely Malice(Akui)and Journey Under the Midnight Sun(Byakuyakō), this paper summarizes the reasoning characteristics of Keigo Higashino's works in four aspects, which are reasoning structure, narrative perspective, reasoning space, and reasoning results, and then examines the development of Japanese mystery fiction, Keigo Higashino's unique “realistic mystery style” and the art of reasoning. According to this study, Keigo Higashino has formed a unique writing style of “realistic mystery” based on the “mystery school” and “social school” by combining deduction and realism; his unique reasoning art is characterized by the structure of multiple lines of reasoning, the flexible use of narrative perspective, and the three-dimensionality of the social space of deduction; his works present a rigorous pattern of high intelligence deduction, meet the readers' expectations through the multi-level suspense setting, and combine the works with social reality, rendering the works both artistic and realistic.