| 魏汉津及其雅乐乐律理论 |
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| 引用本文： | 迟乃鹏.魏汉津及其雅乐乐律理论[J].西华大学学报(哲学社会科学版),2008,27(1):11-15. |
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| 作者姓名： | 迟乃鹏 |
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| 作者单位： | 西华大学人文学院,四川成都,610039 |
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| 摘 要： | 魏汉津为北宋后期雅乐乐律的制订者,根据其雅乐乐律所制作的雅乐当时称之为<大晟乐>,又被以其名字命名为"魏汉津乐",具有极高的地位.其雅乐乐律理论主要有两点,一是"身为度",二是"中正律".其雅乐乐律理论不仅受到当时一些人的批判,也受到后人的批判.
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| 关 键 词： | 魏汉津 雅乐 乐律 大晟乐 理论 雅乐 乐律 理论 Music 正律 地位 名字命名 大晟乐 制作 北宋后期 |
| 文章编号： | 1672-8505(2008)01-0011-05 |
| 修稿时间： | 2007年9月6日 |
Wei Hanjin and His Theory of Classic Music |
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| CHI Nai-peng.Wei Hanjin and His Theory of Classic Music[J].Journal of Xihua University:Philosophy & Social Sciences,2008,27(1):11-15. |
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| Authors: | CHI Nai-peng |
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| Institution: | CHI Nai-peng(School of Humanities,Xihua University,Chengdu,Sichuan,610039) |
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| Abstract: | Wei Hanjin formulated the rules of classic music in late North Song Dynasty.The music composed according to his rules was called Da Cheng Music,and later named as Wei Hanjin Music,which enjoyed high position.The key points of Wei's music theory are Taking Musical Rhyme as Phonology Rule and Composing Elegant,Gentle and Formal Music.However,Wei's music rules were criticized by both people in Song Dynasty and later generations. |
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| Keywords: | Wei Han-jin classic music rules of music Da Cheng music theory |
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