| 此“误”绵绵无绝期——从《金锁记》到《怨女》 |
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| 引用本文： | 陈莉.此“误”绵绵无绝期——从《金锁记》到《怨女》[J].西安石油大学学报(社会科学版),2008,17(4):72-76. |
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| 作者姓名： | 陈莉 |
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| 作者单位： | 西北大学,文学院,陕西,西安,710127 |
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| 摘 要： | 由于某些大师对张爱玲《金锁记》的推崇,使得文学史对张爱玲作品风格的书写,出现了一些误导。当大家把《金锁记》当作张爱玲的代表作时,其实在一定意义上已经背离了张爱玲创作的自觉追求。从《金锁记》到《怨女》,这样的改写,正是张爱玲对自己创作的自觉追求的重申。
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| 关 键 词： | 误导 张爱玲 《金锁记》 《怨女》 创作的自觉追求 |
An Endless "Misleading"——From The Golden Cangue to The Rouge of the North |
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| CHEN Li.An Endless "Misleading"——From The Golden Cangue to The Rouge of the North[J].Journal of Xi‘an Shiyou University:Social Science Edition,2008,17(4):72-76. |
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| Authors: | CHEN Li |
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| Institution: | CHEN Li ( School of Chinese Language and Literature ; Northwest University, Xi＇ an, Shuanxi, 710127, China ) |
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| Abstract: | Since Zhang Ailing＇s novel The Golden Cangue was highly thought by some great masters, the style of Zhang＇s works have been misled in the literature history for a long time. When we considered The Golden Cangue as her representative work, however, we have departed from her conscious pursuit to some extent in fact. The rewriting from The Golden Cangue to The Rouge of the North is just the reaffirmation of her conscious- pursuit in writing. |
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| Keywords: | misleading Zhang Ailing The Golden Cangue The Rouge of the North conscious pursuit in creation |
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