出土文物(文献)与中国美学史

出土文物器皿和出土文献资料所蕴藏的文化—美学含量,对于中国美学史的研究有重要价值。近几十年来出土文物(文献)的新成就,实证性地为中国美学史的"新学问",提供了"新发现",使得研究者重新面对和考量已有的对象和结论。王国维所提出的"二重证据法",陈寅恪所阐释的"三类比较论",对于近、现代宏观学术理念和方法论具有崭新的意义。地下和地上,出土和传统,文献和实物,或互证,或反证,或补证,其近缘关系,为深刻意义上的现代学术转换亦即历史维度—审美维度的价值重构奠定了基础。出土文物(文献)从多方面对中国美学史的基本经验产生早期积淀,形成诸多审美原则,从而在审美的普适性上泽被深远。

Unearthed Relics(Literature) and History of Chinese Aesthetics

The culture contained in the unearthed wares and unearthed literature materials—aesthetic content,is of important value to the history of Chinese aesthetics.In recent decades,the new achievements in the unearthed cultural relics(literature) have empirically provided new discoveries to the new learning of the history of Chinese aesthetics,which has made researchers face and consider the existing objects and conclusions again.The dual evidence advanced by Wang Guo-wei and the three categories of comparison interpreted by Chen Yin-ke are of brand-new significances to the modern macroscopic academic concept and methodology.The literatures and material objects support each other,disapprove each other or supplement each other,whether they are underground or above-ground,unearthed or traditional.The close relationship between them has laid foundations for the modern academic conversion with deep sense,that is,the value reconstruction of historical dimension—aesthetic dimension.Unearthed relics(literature) have produced the early deposition for the basic experience of the history of Chinese aesthetics in many ways,and have formed plenty of aesthetic principles,so that they have profound graces in the aesthetic universality.