| 新文人画:传统文人画的现代性转换 |
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| 引用本文： | 胡友慧.新文人画:传统文人画的现代性转换[J].湖南文理学院学报(社会科学版),2007,32(4):106-108. |
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| 作者姓名： | 胡友慧 |
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| 作者单位： | 长沙大学艺术设计系 湖南长沙410003 |
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| 摘 要： | 新文人画作为一种新的艺术实践形式,既是对传统文人画的继承,又是对传统文人画的扬弃。新文人画在创作题材、表现技法和审美旨趣三个方面展开了对传统文人画的现代性转换。通过对新文人画对传统文人画的现代性转换的认识,可以加深我们对新文人画的理解与体认。
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| 关 键 词： | 新文人画 文人画 创新 现代性转换 |
| 文章编号： | 1672-6154(2007)04-0106-03 |
| 修稿时间： | 2007年4月5日 |
New Scholar's Painting: Modern Transformation of Traditional Scholar's Painting |
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| HU You-hui.New Scholar''''s Painting: Modern Transformation of Traditional Scholar''''s Painting[J].Journal of Hunan University of Arts and Science:Social Science Edition,2007,32(4):106-108. |
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| Authors: | HU You-hui |
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| Abstract: | As a new art practical form,the new scholar's painting both discards the useless of the traditional scholar'painting and develops the useful of the traditional scholar'painting.new scholar's painting make a modern transformation of the traditional scholar'painting in the aspects of creation subject,presenting skills and aesthetic taste.The auther hope that the article can deepen the readers' understanding of the new scholar's painting. |
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| Keywords: | new scholar's painting scholar's painting innovation modern transformation |
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