| 论中国伦理情节剧电影艺术的创新与发展--以郑正秋、蔡楚生和谢晋的作品为例析 |
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| 引用本文： | 何春耕. 论中国伦理情节剧电影艺术的创新与发展--以郑正秋、蔡楚生和谢晋的作品为例析[J]. 湘潭大学学报(哲学社会科学版), 2005, 29(5): 31-35 |
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| 作者姓名： | 何春耕 |
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| 作者单位： | 湖南大学,新闻与传播学院,湖南,长沙,410082 |
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| 摘 要： | 中国电影在20世纪20～30年代以郑正秋等为代表的家庭/伦理情节剧,30～40年代以蔡楚生为代表的社会/伦理情节剧,以及60～80年代以谢晋为代表的政治/伦理情节剧,都善于围绕伦理教化的社会目的,编演引人入胜的故事情节.而在突出浓情化的伦理意识,塑造道德化的类型人物,运用流畅而透明的视听修辞等大众化艺术特征方面得到了不断的创新与发展,体现了雅俗共赏的审美境界.
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| 关 键 词： | 中国电影 伦理情节剧 艺术特征 |
| 文章编号： | 1001-5981(2005)05-0031-05 |
| 修稿时间： | 2005-04-11 |
On the Creation and Development of the Film Art of Chinese Ethic Plots |
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| HE Chun-geng. On the Creation and Development of the Film Art of Chinese Ethic Plots[J]. Journal of Xiangtan University(Philosophy and Social Sciences), 2005, 29(5): 31-35 |
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| Authors: | HE Chun-geng |
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| Abstract: | 1920s' Zheng Zheng-qiu made the family/ethic plots play;During the period of 1930s and 1940s,Cai Chu-sheng's social/ethic plots play,combining the social critism and every day's story,make another step;In the course of 1960s and 1980s Xie Jin political reconsidering and the tales of moral lessons developed into the new stage.The aesthetic of its art form can be analysis in the following:seeking for the socialize and entertainment by the extricating of plots and the creation of the characteror's morality;It is careful with fluent and transparent audio-visual rhetoric effects. |
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| Keywords: | film of China: ethic plot play the characteric of art |
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