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司马相如独立自由之审美精神
引用本文:李天道. 司马相如独立自由之审美精神[J]. 西华大学学报(哲学社会科学版), 2007, 26(5): 13-16
作者姓名:李天道
作者单位:四川师范大学文学院,四川成都,610068
摘    要:司马相如一方面强调了赋的审美表达的丰富性,强调辞采的华丽和音韵的和谐,一方面强调赋的审美创作构思"得之于内,不可得而传"的"自得"性。所谓"得之于内",从司马相如有关辞赋创作的论述并结合其创作实践来审视,即在他看来,辞赋创作既要深思熟虑,又要自然兴发,乘兴随兴,自得自在;要自得于心,即自己要有心得体会,要有独到的感悟,要自娱自乐,自言自道,即所谓"夫子自道",自得其乐。

关 键 词:"  得之于内"    自得自在  自得于心  独立自由精神
文章编号:1672-8505(2007)05-0013-04
修稿时间:2007-06-07

The Unrestrained Aesthetic Spirit of Sima Xiangru
LI Tian-dao. The Unrestrained Aesthetic Spirit of Sima Xiangru[J]. Journal of Xihua University:Philosophy & Social Sciences, 2007, 26(5): 13-16
Authors:LI Tian-dao
Abstract:Sima Xiangru has his unrestrained aesthetic spirit of "Fu" creation.On the one hand,he focuses on the diversity of expression and harmony of diction,rhyme and rhythm;on the other hand,he emphasizes the self-creation which lays stress on the self-realization.Based on the exposition of "Fu" creation and his contribution to "Fu",we know that self-realization refers both to careful consideration and natural self-complacence when one is writing a "Fu".That's to say,all understanding,sentiment,joy and freedom come from one's own mind.
Keywords:self-realization  self-complacence  from one's own mind  unrestrained spirit  
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