| 司马相如独立自由之审美精神 |
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| 引用本文： | 李天道.司马相如独立自由之审美精神[J].西华大学学报(哲学社会科学版),2007,26(5):13-16. |
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| 作者姓名： | 李天道 |
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| 作者单位： | 四川师范大学文学院,四川成都,610068 |
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| 摘 要： | 司马相如一方面强调了赋的审美表达的丰富性,强调辞采的华丽和音韵的和谐,一方面强调赋的审美创作构思"得之于内,不可得而传"的"自得"性。所谓"得之于内",从司马相如有关辞赋创作的论述并结合其创作实践来审视,即在他看来,辞赋创作既要深思熟虑,又要自然兴发,乘兴随兴,自得自在;要自得于心,即自己要有心得体会,要有独到的感悟,要自娱自乐,自言自道,即所谓"夫子自道",自得其乐。
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| 关 键 词： | "得之于内" 自得自在 自得于心 独立自由精神 |
| 文章编号： | 1672-8505(2007)05-0013-04 |
| 修稿时间： | 2007年6月7日 |
The Unrestrained Aesthetic Spirit of Sima Xiangru |
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| LI Tian-dao.The Unrestrained Aesthetic Spirit of Sima Xiangru[J].Journal of Xihua University:Philosophy & Social Sciences,2007,26(5):13-16. |
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| Authors: | LI Tian-dao |
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| Abstract: | Sima Xiangru has his unrestrained aesthetic spirit of "Fu" creation.On the one hand,he focuses on the diversity of expression and harmony of diction,rhyme and rhythm;on the other hand,he emphasizes the self-creation which lays stress on the self-realization.Based on the exposition of "Fu" creation and his contribution to "Fu",we know that self-realization refers both to careful consideration and natural self-complacence when one is writing a "Fu".That's to say,all understanding,sentiment,joy and freedom come from one's own mind. |
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| Keywords: | self-realization self-complacence from one's own mind unrestrained spirit |
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