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真趣:审美主体的艺术化
引用本文:王世海.真趣:审美主体的艺术化[J].唐都学刊,2014(2):114-119.
作者姓名:王世海
作者单位:厦门大学嘉庚学院人文与传播学院,福建漳州363105
摘    要:真趣概念经历了漫长的历史演变,美学内涵及审美特征也有所变化.真主要指真实、真诚以及因真反假的内涵.真趣概念起初指诗文反映出的真实义理,物象中存有的自然道理,宋元逐渐突出了本真性情的义涵指向;明代李贽、三袁等主要论述并建立起真趣概念的理论内涵,强调了真趣概念的本真性、自由性和灵慧性等美学特征.

关 键 词:真趣  美学内涵  本真性  灵慧性

Genuine Interest: the art of aesthetic subject
WANG Shi-hai.Genuine Interest: the art of aesthetic subject[J].Tangdu Journal,2014(2):114-119.
Authors:WANG Shi-hai
Institution:WANG Shi-hai (School of Humanities and Journalism, Tan Kah Kee College, Xiamen University, Zhangzhou 363105, Fujian China)
Abstract:This paper mainly discusses the historical evolution of the concept of genuine interest, aesthetic connota- tion and aesthetic characteristics. This paper argues that the genuine mainly refers to the real, honest, and due to the true anti-fake connotation. Genuine interest concept reflects firstly the true moral principles of poems, and the true reason of all things. After Song and Yuan dynasties, genuine interest concept gradually highlighted the true na- ture connotation of points. In the Ming dynasty, Lizhi and three Yuan (Yuan Zongdao, Yuan Hongdao and Yuan Zhongdao) discussed and established the theoretical connotation of the concept of genuine interest. They also stressed the aesthetic characteristics of genuine interest concept, such as authenticity, freedom and the perception of wisdom.
Keywords:genuine interest  aesthetic characteristics  authenticity  the perception of wisdom
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