| “荒原女巫”与“沅水女神”——比较《还乡》中的游苔莎和《边城》中的翠翠 |
| |
| 引用本文： | 焦晓燕.“荒原女巫”与“沅水女神”——比较《还乡》中的游苔莎和《边城》中的翠翠[J].南京工业大学学报(社会科学版),2004,3(3):80-83. |
| |
| 作者姓名： | 焦晓燕 |
| |
| 作者单位： | 南京工业大学,外语学院,江苏,南京,210009 |
| |
| 摘 要： | 《还乡》中和游苔莎和《边城》中的翠翠都有着鲜明的自然美、人性美和悲剧美.她们的美既有跨越东西方文化差异的共同特质,又承载着不同的社会内容和文化积淀,寄托了作家独特的审美理想和审美情感.通过这两个形象,哈代和沈从文表达了对女性命运的思虑,构建出了各自理想中的现代人雏形和人生模式.
|
| 关 键 词： | 哈代 沈从文 自然美 人性美 悲剧美 |
| 文章编号： | 1671-7287(2004)03-0080-04 |
| 修稿时间： | 2004年6月13日 |
Witch of the Wasteland and Goddess of Yuanjiang River--Comparing Eustacia (The Return of the Native) and Cuicui (Bian Cheng) |
| |
| Jiao Xiaoyan.Witch of the Wasteland and Goddess of Yuanjiang River--Comparing Eustacia (The Return of the Native) and Cuicui (Bian Cheng)[J].Journal of Nanjing University of Technology(Social Science Edition),2004,3(3):80-83. |
| |
| Authors: | Jiao Xiaoyan |
| |
| Institution: | Jiao Xiaoyan |
| |
| Abstract: | Both Eustacia (The Return of the Native) and Cuicui (Bian Cheng) have distinctive natural beauty, human beauty and tragic beauty. On one hand, the two characters share some qualities that transcend the differences between western and eastern cultures; on the other, they reflect the different aesthetic conceptions and ideals of Thomas Hardy and Shen Congwen. With Eustacia and Cuicui, the two writers express their thoughts on women's fates and depict ideal philosophies of life respectively. |
| |
| Keywords: | Hardy Shen Congwen natural beauty human beauty tragic beauty |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
