后村诗词之多元矛盾性阐释

南宋著名文人刘克庄的诗词呈现出鲜明的多元矛盾性。一是儒学正统的高尚气节与世俗化,清高又不能免俗、有意放旷又常常自拘;二是宋诗尾音与集大成者的矛盾,是效仿"江西诗派"和"四灵"?还是兼容并蓄,融合超越?三是褒贬广议的后村词,既有"辛派词人"之豪迈,又有儒学教化之世俗,欲丽还朴、欲豪还平、欲歌太平还思超脱。后村诗词的矛盾性体现了南宋这一特殊时代的文化特征。

Exposition of the Multielement Contradictoriness of Houcun Poetry

There appeared in the poetry of Liu Kczhang, the famous man of letters during the Southern Song Dynasty, an ob- vious multielement contradictoriness： Firstly, the contradiction between the noble quality and secularization of Confucian doctrine with loftiness yet not being able to stay aloof from vulgarity, with a mind for boldness yet most often restrained; Secondly, the contradiction between the end syllable and corpus of the Song poetry, to emulate ＂Jiangxi School＂ or the ＂Four Spirits＂, to be inclusive or fusing transcendence？ Thirdly, the contradiction between commendation and degration, with bold grandeur of the ＂Ci poets of the Xin School＂as well as the vulgarity of moral cultivation of the Confucian doctrine, with its elegance but simplicity, extraordinariness but flatness, with eulogies of peace of the times but yearning for transcendence. The contradictoriness of the Houcun poetry embodied the cultural traits of the particular era of the Southern Song Dynasty.