娱神与娱人的想象性情感表现——审美人类学视野中的东巴舞

东巴舞蕴涵着丰富的图腾文化、巫术文化、神话文化,欲寻找其源头,不应仅仅局限于其"近亲"——民间舞蹈和其"近邻"——本教、佛教、道教等宗教舞蹈,而应该走得更深更远,到先民们朦胧的意识深处去寻找。因此,运用文化人类学、审美人类学、美学等方法,从图腾文化的视阈探寻蕴涵丰富的东巴舞具有重要意义;同时,从共时和历时两个维度探寻它的起源并探究它如何从实际活动的、文化的舞蹈转化成神性的、审美的舞蹈,也将对我们窥视纳西先民的心灵世界有所帮助。

The Imaginative Feeling Expression of Amusing God and Man——On Dongba Dance from the Perspective of Aesthetic Anthropology

Dongba dance contains rich cultures of totem,witchcraft and myth.Therefore,the tracing of its origin should not be confined only to its "close relatives" like folk dances or its close "neighbors" like Buddhist dance,Taoist dance and Bon dance,but should trace it to the depth of the vague consciousness of the Naxi's ancestors.Thus,it is of great significance to study its rich implications from the perspective of totemic culture based on cultural anthropology,aesthetic anthropology and aesthetics.It is also significant to make a synchronic and diachronic study on its transformation from the actual and cultural dance to the sacred and aesthetic dance,which can help shed light on our understanding the spirit of the ancestors of the Naxi people.