| 《梧桐雨》和《汉宫秋》的比较研究 |
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| 引用本文： | 崔彩红.《梧桐雨》和《汉宫秋》的比较研究[J].武汉大学学报(人文科学版),2005,58(1):70-74. |
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| 作者姓名： | 崔彩红 |
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| 作者单位： | 武汉大学,文学院,湖北,武汉,430072 |
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| 摘 要： | 驾头杂剧《梧桐雨》和《汉宫秋》都取材于帝妃故事,传达个人的悲剧体验,而且都体现了注重悲情抒发的艺术旨趣,但二者仍有重要区别:从描写向度看,《梧桐雨》侧重写强国之君激情压倒理智的过失与悲痛,唐明皇的重情任性不但造成了他和爱妃个人的悲苦,而且导致了国家的由盛而衰;《汉宫秋》侧重写弱国之君的"不自由"———他以及朝臣的懦弱无能,不仅造成了他的无奈与愤懑,而且也使大国之君的尊严受到严重伤害。从风格上看,《梧桐雨》悲而艳,抒情性很强,对后世的文人剧作影响深远;《汉宫秋》悲而豪,具有较强的哲理性,开启了哲理悲剧之先声。
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| 关 键 词： | 《梧桐雨》 《汉宫秋》 悲剧美感 风格 |
| 文章编号： | 1671-881X(2005)01-0070-05 |
| 修稿时间： | 2004年10月12 |
Comparison between Rain on the Plane Trees and Autumn in the Han Palace |
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| CUI Cai-hong.Comparison between Rain on the Plane Trees and Autumn in the Han Palace[J].Wuhan University Journal (Humanity Sciences),2005,58(1):70-74. |
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| Authors: | CUI Cai-hong |
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| Abstract: | Rain on the Plane Tree and Autumn in the Han Palace were tragedies both adopted from love stories of emperors and their imperial concubines. The two dramas convey their writers' taste of tragedy. And they reflected the writers' art objective of paying attention to express pathos. However they were different in the describe angle, style and aesthetic feeling of tragedy. |
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| Keywords: | Rain on the Plane Tree Autumn in the Han Palace style aesthetic feeling of tragedy |
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