| 探析中国戏剧两种走向之整合 |
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| 引用本文： | 管尔东.探析中国戏剧两种走向之整合[J].哈尔滨工业大学学报(社会科学版),2008,10(6). |
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| 作者姓名： | 管尔东 |
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| 作者单位： | 南京大学文学院,南京,210093 |
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| 摘 要： | 戏剧作为一种艺术样式,其审美价值究竟偏向于文学性还是剧场性,其功能究竟是重启蒙还是重娱乐,这历来是争议不休、难有定论的问题。即使在今天,中国一些戏剧学专家依然因为各自侧重点的不同,从而看到了当代中国戏剧的两种迥然不同的走向。通过对中国近代以来不同时期不同类型的戏剧进行分析,发现这两种走向其实并不矛盾,相反是整合。当今,在中国戏剧创作中文学与舞台、启蒙与娱乐间对立、偏废的现象正逐渐消淡,二者的融合与统一日益成为一种明显的发展趋势。
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| 关 键 词： | 中国 戏剧审美 戏剧功能 偏废 整合 |
Integration of Two Developing Directions of Chinese Dramas |
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| GUAN Er-dong.Integration of Two Developing Directions of Chinese Dramas[J].Journal of Harbin Institute of Technology(Social Sciences Edition),2008,10(6). |
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| Authors: | GUAN Er-dong |
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| Institution: | GUAN Er-dong(School of Liberal Arts,Nanjing University,Nanjing 210093,China) |
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| Abstract: | There are many controversial questions that the aesthetics in drama depends on literariness or theatricality and the main function of drama is enlightenment or entertainment in today's drama studies.Nowadays,some dramatic experts find two different developing directions of drama because of their different visual angles.By analyzing all kinds of Chinese modern dramas in different period,this paper finds that these two developing directions are not contradictory,but important for the development of drama. |
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| Keywords: | China drama aesthetics drama function bad tendency integration |
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