Producing the natural: Mobilities and the managed aesthetics of nature

Nature can be a nebulous, often contradictory concept that holds immense cultural and emotional weight for many. Philosophers and social scientists have frequently dissected its meaning and shared significance, especially with respect to environmental issues. This paper analyzes nature as experienced and understood in everyday life in Western society, arguing that the most salient, intuitive mode of understanding the concept is a visual–pictorial one. It further argues that nature is expressed through emplaced aesthetics managed and produced through various forms of “mobility,” or socially produced movement, as theorized by the writers of the “new mobilities paradigm.” The paper considers two general contexts for this process: the production of aesthetic nature in urban settings and in extra‐urban landscapes. Furthermore, it argues that these aesthetic expressions have a great influence on the epistemology guiding popular sensibilities around our broader relationships to the nonhuman world and on the moral logic of much Western environmentalism.