| 关于中国水墨山水画艺术的“气韵”说 |
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| 引用本文： | 胡良勇.关于中国水墨山水画艺术的“气韵”说[J].浙江师范大学学报(社会科学版),2000,25(2):72-74. |
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| 作者姓名： | 胡良勇 |
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| 作者单位： | 浙江师范大学 艺术学院,浙江 金华 321004 |
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| 摘 要： | “气韵”是中国水墨山水画审美特性和审美标准的主要内容。“自然元气”论的哲学以及以“气”为内在逻辑的审美体系始终主导着水墨山水画的蓬勃发展、演进。
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| 关 键 词： | 元气 气韵 水墨气化 |
| 文章编号： | 1001-5035(2000)02-0072-03 |
| 修稿时间： | 1999年9月14日 |
On the Idea of Vigor Appeal of the Chinese Ink and Wash Landscape Paintings |
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| HU Liang-yong.On the Idea of Vigor Appeal of the Chinese Ink and Wash Landscape Paintings[J].Journal of Zhejiang Normal University:Social Sciences,2000,25(2):72-74. |
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| Authors: | HU Liang-yong |
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| Abstract: | Vigor appeal is regarded as the major substance of the aethetic feature and aethetic stan-dard for the Chinese ink and wash landscape paintings. The philosophy of "natural vitality" and the aethet-ic system with "vigor" as its inner logic have always been serving as guidelines for the flourishing develop-ment and evolution of the Chinese ink and wash landscape paintings. |
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| Keywords: | Vigor Vigor Appeal Gasification of Ink and Wash |
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