| 高行健《野人》的生态批评 |
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| 引用本文： | 康建兵.高行健《野人》的生态批评[J].华南理工大学学报(社会科学版),2011,13(4):115-122,134. |
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| 作者姓名： | 康建兵 |
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| 作者单位： | 南京大学文学院,江苏南京,210093 |
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| 摘 要： | 高行健的《野人》无论从创作动机、剧作主题还是舞台演剧来说，都堪称是一部经典的生态戏剧。《野人》通过对一个林区的自然、社会与精神生态失衡的灾难图景的呈现，表达了剧作家对人类蹂躏自然和破坏生态的强烈愤慨，写出了人对自然的愚昧认识，以及人对自身的戕害，也充满对人与自然和谐长存的美好理想。从生态批评视野重读《野人》，发掘其丰富的生态内涵，具有重要的学术价值和深刻的警示意义。
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| 关 键 词： | 高行健 《野人》 生态戏剧 生态批评 |
The Ecocriticism of Gao Xingjian's Wild Man |
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| KANG Jian-bing.The Ecocriticism of Gao Xingjian's Wild Man[J].Journal of South China University of Technology(Social Science Edition),2011,13(4):115-122,134. |
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| Authors: | KANG Jian-bing |
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| Institution: | KANG Jian-bing(School of Chinese Language and Literature,Nanjing University,Nanjing,210093,Jiangsu,China) |
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| Abstract: | With regards to the creative motive,theatre's subject and performance on stage,Gao Xingjian's Wild Man is really a classical ecotheatre.Unfolding a disastrous sight about nature,social and spirit ecology's disturbance,Wild Man has expressed a strong indignation for human's trample nature and the destruction of nature,especially of mankind itself.It also hopes for a better life that mankind and nature will be in perfect harmony.Reviewing Wild Man from the angle of ecocriticsim and analyzing its abundant ecol... |
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| Keywords: | Gao Xingjian Wild Man ecotheatre ecocriticism |
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