| 《聊斋志异》的造境艺术 |
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| 引用本文： | 叶旦捷. 《聊斋志异》的造境艺术[J]. 安徽大学学报(哲学社会科学版), 2006, 30(4): 88-92 |
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| 作者姓名： | 叶旦捷 |
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| 作者单位： | 杭州师范学院,人文学院,浙江,杭州,310018 |
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| 基金项目： | 杭州师范学院科研基金项目 |
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| 摘 要： | 蒲松龄是杰出的写意小说家,他融合了我国传统的文言小说与诗歌的艺术精神,建构了用传奇写“意”以创造与诗画意境同构但又具有小说特质的意境的艺术模式,《聊斋志异》中的写意小说超越了前代小说“局部性”地创造意境的水平,通篇“整体性”地创造了意境,将我国古代的写意小说推向了顶峰。
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| 关 键 词： | 意境 传奇 空间结构 写意 修辞 |
| 文章编号： | 1001-5019（2006）04-0088-05 |
| 收稿时间： | 2006-05-07 |
| 修稿时间： | 2006-05-07 |
The Creation of Artistic Conceptions in The Strange Stories from Liaozhai |
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| YE Dan-jie. The Creation of Artistic Conceptions in The Strange Stories from Liaozhai[J]. Journal of Anhui University(Philosophy & Social Sciences), 2006, 30(4): 88-92 |
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| Authors: | YE Dan-jie |
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| Affiliation: | The School of Liberal Arts, Hangzhou Normal College, Hangzhou, 310018 |
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| Abstract: | As an outstanding romantic story writer in the Qing dynasty, Pu Songling integrated the artistic spirit of classical Chinese fiction and poetry, and created by way of legends a new artistic model which is characteristic of the painting and poetic conceptions with typical fictional features. His The Strange Stories from Liaozhai exceeds the novels and stories of the previous ages in that the stories in the book create more completely artistic conceptions and therefore brought the classical Chinese romantic fiction to a new peak. |
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| Keywords: | artistic conception legend space structure romantic rhetoric |
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