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表征:认识论及审美
引用本文:陈大刚. 表征:认识论及审美[J]. 兰州学刊, 2007, 0(11): 1-4
作者姓名:陈大刚
作者单位:中国人民大学,哲学院,北京,100872
摘    要:"表征"(Representation)概念以"显现"及"表象"意义为核心被广泛频繁地的使用在各个领域。以人类表征活动作为基础,指明表征的存在及运行方式,其意义为"一种经反映而被构造出来的、作为认知对象的替代物而存在的在思维中被加工的形式。得经由符号作用,使不同主体在共同的文化基础上达成意义共享。"表征内容依认知取向可分为两个范畴:认识论表征与审美表征,两者混同作用。审美表征在艺术处因为展现了主体"自由而主动"的能力而得到最大的突显。

关 键 词:表征  认识论表征  审美表征
文章编号:1005-3492(2007)11-0001-04
修稿时间:2007-06-24

Representation: It''s Existence and for the Category of Epistemology and Aesthetics
Chen Dagang. Representation: It''s Existence and for the Category of Epistemology and Aesthetics[J]. , 2007, 0(11): 1-4
Authors:Chen Dagang
Affiliation:Chen Dagang
Abstract:"Representation" as the core concept of "appearing" or the "showed Image" meaning is extensive frequently applied in each field.It could be defined as "A form can exists as the stuff of the thinking process,and the form is created as the substitute of a cognitive goal by reflecting it.By way of symbolic operation,the form can make the same meaning to each one subject of a group that within the same cultural foundation to let them can take the meaning share." It can be showed on the existence signified and operation way that based on the representation activity of humanity.By the directions of the different goals of cognition,the efficiency of representation can be considered in two categories: the epistemology and the aesthetics,the two working together.The maximal recognition of the aesthetic representation will occur at the area of Art,over there it pops out the ability that the object can be represented on the subject's own initiative freely.
Keywords:representation  epistemological representation  aesthetic representation
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