| 论“三监”与邶鄘卫“三国同风” |
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| 引用本文： | 董运庭. 论“三监”与邶鄘卫“三国同风”[J]. 重庆师范大学学报(哲学社会科学版), 2011, 0(1): 57-64,85 |
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| 作者姓名： | 董运庭 |
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| 作者单位： | 重庆师范大学,文学院,重庆,400047 |
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| 摘 要： | 班固始以《书序》"三监"说释《邶》《鄘》《卫》"三国同风"之缘由,郑玄据此又生异说,以致纠结无穷,终成死结。本文认为,根本原因,是在《诗三百》蜕变为《诗经》的过程中,前后推挽、层层相因的经学阐释所造成的干扰和误导。根据历史还原的原则,本文跟踪考察了关于"三监"性质、人物、地域等方面的纠结,进行系统反思,并追溯了班固、郑玄这两个代表人物在经学阐释上的具体作为及其动因。
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| 关 键 词： | 三监 邶鄘卫 三国同风 班固 郑玄 |
On SanJian and the Same Tone of Poetry In Bei,Yong and Wei |
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| Dong Yunting. On SanJian and the Same Tone of Poetry In Bei,Yong and Wei[J]. Journal of Chongqing Normal University Edition of Social Siences, 2011, 0(1): 57-64,85 |
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| Authors: | Dong Yunting |
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| Affiliation: | Dong Yunting(School of Foreign Languages and Literature,Chongqing Normal University,Chongqing 400047,China) |
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| Abstract: | Based onSanJian in the Preface of Shang Shu,Bangu firstly explained the reason of the Same Tone of Poetry in Bei,Yong and Wei.But Zhengxuan came up with another viewpoint which was quite different from Bangu's.This article shows that the primary cause is the disturbance and misleading which was formed in the process of changing from Three Hundred Poems to the Book of Songs.According to the principle of restoring history,this article studies the problems about the property,character and region of SanJian.At ... |
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| Keywords: | SanJian Bei Yong Wei the Same Tone of Poetry Bangu Zhengxuan |
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