| 审美的两难困境——汪曾祺散文新论 |
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| 引用本文： | 刘琴.审美的两难困境——汪曾祺散文新论[J].南昌航空大学学报,2008,10(3):73-76. |
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| 作者姓名： | 刘琴 |
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| 作者单位： | 南昌航空大学 |
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| 摘 要： | 汪曾祺散文承袭了明清文人的“闲适”语言风格，并进而形成了个体化的语言风格。因为现实社会语境中诸多因素的限制，他的“闲适”言说实质上是对自己精神内在家园的遮蔽，具体体现在他的言说与生命存在的冲突以及他对传统和现代的复杂体认．这些复杂的审美感受在审美上所形成的两难困境源于汪曾祺对生命的曲折表达。
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| 关 键 词： | 传统 现代性 审美 困境 |
Aesthetic Dilemma——New Discussion on Wang Zengqi's Essay |
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| LIU Qin.Aesthetic Dilemma——New Discussion on Wang Zengqi''s Essay[J].Journal of Nanchang Institute of Aeronautical Technology(Social Science),2008,10(3):73-76. |
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| Authors: | LIU Qin |
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| Institution: | LIU Qin (Literature and Law College, Nanchang Universiny of Aeronautics, Nanchang 330063,China) |
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| Abstract: | Wang Zengqi's essay inherit leisure language mode of scholars in Ming Dynasty and Qing Dynasty and form individuals' language style. In fact his leisure speech shade his own mental home under limits of society and so on and the intricate aesthetic feeling set him in aesthetic dilemma. |
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| Keywords: | tradition modernism aesthetic dilemma |
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