| “忧郁”：《上海屋檐下》的隐型意义 |
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| 引用本文： | 周黎燕. “忧郁”：《上海屋檐下》的隐型意义[J]. 山东师范大学学报(人文社会科学版), 2011, 56(2): 22-26 |
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| 作者姓名： | 周黎燕 |
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| 作者单位： | 浙江理工大学,文化传播学院,杭州,310018 |
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| 摘 要： | 夏衍名剧《上海屋檐下》描摹上海底层人民生存境遇的主旨，源于1956年作者的后叙述而定论。在相当程度上，这是大众、作者与意识形态“合谋”之下的“意图谬见”。文本的隐型意义在于中国革命以及1930年代上海知识分子陷于革命、情爱与生存等诸多困境中的“忧郁”情怀。夏衍作为批判者的警醒与冷静，以及身为历史在场者的沧桑与悲悯，逾越了文学史家眼里左翼革命家身份的界限。
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| 关 键 词： | 忧郁 中国革命 知识分子 隐型意义 |
"Melancholy" :Invisible significance of Shanghai Eaves |
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| Zhou Liyan. "Melancholy" :Invisible significance of Shanghai Eaves[J]. Journal of Shandong Teachers' University(Social Science Edition), 2011, 56(2): 22-26 |
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| Authors: | Zhou Liyan |
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| Affiliation: | Zhou Liyan(School of Cultural Communication,Zhejiang Sci-Tech University,Hangz,Zhejiang 310018) |
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| Abstract: | The conclusion that major idea conveyed inShanghai Eaves,the famous play by Xia Yan,describes the life of the Shanghai people at the bottom of society comes from thee playwright's own later discussion in 1956.To a certain degree,it is the intentional fallacy brought about by the conspiracy of the public,the commentators and the author.The melancholy narrative on Chinese revolution and the intellectuals mired in predicaments of their affection and love,their living conditions show the standpoint of Xia Yan a... |
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| Keywords: | melancholy Chinese revolution intellectuals invisible significance |
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