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日本歌舞伎与郭沫若早期戏剧
引用本文:靳明全. 日本歌舞伎与郭沫若早期戏剧[J]. 西南大学学报(社会科学版), 2003, 29(3)
作者姓名:靳明全
作者单位:四川大学文学与新闻学院 四川成都610064重庆师范学院中文系,重庆市400047
摘    要:若将郭沫若早期戏剧与日本歌舞伎进行比较 ,不难看出 ,郭沫若早期戏剧具有日本歌舞伎的四情变化范式、舞台节奏多“间”、舞台解说有“点”、舞台布景多层次等特点。所以 ,要很好地欣赏郭沫若早期戏剧 ,应该掌握日本歌舞伎的艺术特色

关 键 词:歌舞伎  郭沫若  戏剧  比较

Japan's Kabuki and Guo Mo-ruo's Early Dramas
JIN Ming-quan. Japan's Kabuki and Guo Mo-ruo's Early Dramas[J]. Journal of southwest university(social science edition), 2003, 29(3)
Authors:JIN Ming-quan
Abstract:Comparing Guo Mo-ruo's early drama s with Japan's Kabuki, it's easy to discover that his early dramas have the char acteristics of Kabuki such as the changing forms of the four emotions, the "Pau se" of the theatrical rhythm, the "interpret" of the theatrical commentary as well as the multi-level of the stage scenery. So, when good appreciations of G uo Mo-ruo's early dramas are wanted, it's necessary to grasp the artistic cha racteristics of Japan's Kabuki.
Keywords:Kabuki  Guo Mo-ruo  drama  compare  
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