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论20世纪中国诗歌的三个发展阶段
引用本文:王光明.论20世纪中国诗歌的三个发展阶段[J].河南社会科学,2005,13(1):31-34.
作者姓名:王光明
作者单位:首都师范大学,文学院,北京,100037
摘    要:20世纪中国诗歌是一个重新创造作者与读者的历史过程,它在迂回探寻的实践中,不断寻求和修改着自己的现代诗歌梦想。100年来,它大致经历了三个发展阶段:一、古典诗歌语言与体制的破坏阶段;二、现代诗歌形式和象征体系的建设阶段;三、美学分化和多元对话阶段。如今的诗歌,不再是新不新的问题,而是好不好的问题,是能否在已有实践的基础上,于分化、无序中找到规律,建构稳定而充满活力的象征体系和诗歌文类秩序的问题。

关 键 词:20世纪  中国诗歌  三个阶段  基本问题
文章编号:1007-905X(2005)01-0031-04
修稿时间:2004年6月20日

The Three Phases of the Chinese Poetry in the 20th Century
Wang Guangming.The Three Phases of the Chinese Poetry in the 20th Century[J].Henan Social Sciences,2005,13(1):31-34.
Authors:Wang Guangming
Abstract:The article argues that the 20th century Chinese Poetry is a historical process of re-creating authors and readers. During the practice of circuitous research, the authors sought and modified their dreams of modern poetry. Within one hundred years, it roughly underwent three phases:the demolishing phase of the classic poetic language and constitutions;the constructiong phase of modern poetic forms and symbolic systems; the phase of the aesthetic differentiation and pluralistic dialogues. The present concern is not whether the poem is new or not,but whether it is good or not. It concerns, on the basis of practical achievements so far, whether it can find out rules and construct stable and vital symbolic systems and order of poetic genres from the differentiation and disorder status quo.
Keywords:th century  Chinese Poetry  three phases  basic problems
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