| Abstract: | This article discusses the prominence of wedding rituals in South Sulawesi to illuminate Islamic development in post-Suharto Indonesia and theatrical expressions of Islam through dramaturgical and social drama analysis. Theatre metaphors help explain the theatricality of Islam and the centrality of wedding rites in social and religious life in South Sulawesi, two social facts not easily understood by people outside this region. Through the performance of wedding rites, Muslims know themselves as Muslims, display social status and transform local politics. Analysis of wedding rites illustrates not only the importance of theatricality in the expression of Islam for the Bugis Makassar Muslims, but also how massive social and religious transformation is structured around a particular life-cycle ritual, namely weddings. Giving emphasis to theatricality, this article nuances recent studies about contemporary Islam, which largely focus upon the importance of discourses in the life of contemporary Muslims. |
