Archiving cultures

This paper argues that to understand the legitimacy of a culture we need to investigate its relation to the archive, the site for the accumulation of records. Archive reason is a kind of reason which is concerned with detail, it constantly directs us away from the big generalization, down into the particularity and singularity of the event. Increasingly the focus has shifted from archiving the lives of the good and the great down to the detail of mundane everyday life. One implication here is that rather than see the archive as a specific place in which we deposit records, documents, photographs, film, video and all the minutiae on which culture is inscribed, should we not seek to extend the walls of the archive to place it around the everyday, the world? If everything can potentially be of significance shouldn't part of the archive fever be to record and document everything, as it could one day be useful? The problem then becomes, not what to put into the archive, but what one dare leave out. Some of the implications of these questions were considered by Georg Simmel, in his argument that there has been a build up and overload in the production and circulation of objective culture. This is now beyond our subjective capacity to assimilate and order, given the finite limits of the human life course we all face. It is something which confronts the individual with irresolvable dilemmas over selectivity, with each particular choice amounting to a wager which inevitably closes off others. Related questions about the difficulties of handling cultural completeness, were also addressed by Jorge Luis Borges in his discussion of the Library of Babel and the Aleph. Yet both could hardly have anticipated the full implications of the electronic archive: the development of new technologies for storing, searching and communicating information through the Internet with its databases and hypertext links. The electronic archive offers new possibilities for speed, mobility and completeness of access to cultures which have become digitalized, which raise fundamental questions about ownership, intellectual property rights, censorship and democratic access. The implications for culture are clear: the new electronic archives will not only change the form in which culture is produced and recorded, but the wider conditions under which it is enacted and lived as well.