共查询到17条相似文献,搜索用时 250 毫秒
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作为国际文化大都市,上海的文化消费紧贴时代发展潮流、彰显市民社会精神生活、带动新型经济发展,反映了当下中国文化消费的新趋向。2012年,上海文化消费在体现都市文化消费延续性特征的同时,彰显众多新的面貌:实体性文化消费持续攀升,精神性文化消费正扩大份额,创意性文化消费异军突起、引领全国风尚,综合性文化消费显示出更强生命力。后世博时代的上海,文化消费载体的体系性建构、新型文化消费空间的开拓、市民文化个性与趣味的养成、公共文化服务体系的建立健全、政府和市场双引擎模式的确立等都成为上海文化消费的新特征。上海具有独特的文化资源与区位优势,上海文化消费还有广阔的提升空间。 相似文献
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周福铭 《社会观察(上海)》2003,(2):15-15
趋势展望 “十五”期间,上海城市居民的人均收入水平不断提高,恩格尔系数也继续呈下降趋势,从而极大地改变了消费结构,提升了消费质量。上海开始进入更加注重消费质量的“文化型”、“舒展型”消费阶段,文化、教育、娱乐消费需求出现质的飞跃和增长。上海社科院一份最新的上海 相似文献
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调查显示,上海市民平均消费倾向相对偏低,同时消费支出结构呈现多元化发展趋势,这是目前上海市民消费的两大基本特征。影响市民消费水平的因素主要有收入水平、投资意愿、消费观念以及消费品供给等。应紧紧抓住当前市民在网络、汽车、文化等方面的消费热点,采用各种灵活有效的方式,尽可能化解制约消费扩大的各项不利因素,进一步刺激消费增长,推动上海经济健康发展。 相似文献
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文化消费:文化产业振兴的根本问题——兼评2009年上海文化消费状况 总被引:4,自引:0,他引:4
以全球金融危机为背景的2009年上海文化消费呈现出一系列新面貌,艰难地在危机中左右突围。以精神性、知识性、娱乐性和文化传承性为特征的文化消费是衡量一个城市乃至于一个国家文化软实力的重要标准,因此发展城市的文化消费成为当下决策中的重中之重。从文学艺术、科学教育、文化产业以及文化消费等几个方面来看,2009年上海文化消费可谓是萧条中的繁荣、低沉中的攀升以及重创中的完善。新的文化消费增长点的培育,传统文化消费点的更新以及文化消费品本身质量的提升,都使得文化消费呈现出一种欣欣向荣的态势。在总结2009年上海文化消费的现状之后,抓住2010年在上海举行世博会的机遇、迪斯尼乐园落户上海、游乐业的稳健发展以及政策上向文化消费的延伸等,都是下一阶段上海文化产业振兴决策中应该考虑的重点。 相似文献
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上海公共文化服务供给侧改革需要研究公共服务"要素配置""生产率提升"等问题,让公共文化服务从保基本需求的需求引导型公共文化建设向需求引导型和消费引导型相结合的"大都会公共文化供给机制"转型,打通文化产业与文化事业之间交互配置的渠道,探索适合上海国际文化大都会、国际创意城市建设的公共文化服务新模式,建构政府、企业和公益性志愿机构多主体参与的竞争机制,激发文化服务"全要素生产率"的提升. 相似文献
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张爱辉 《青春岁月:学术版》2015,(3):123
在信息化和网络化高速发展的今天,作为国家的新生力量,大学生的文化消费水平的提高是必须的也是迫在眉睫的,我们不能只关注物质消费问题,更要注重文化消费问题,大学生文化消费是大众文化消费的核心,是让中国传统文化传承的强大载体。本文从大学生自己、高校、家庭和社会等方面分析原因并从中找出对策。 相似文献
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扩大上海文化消费包括文化消费规模的扩大和文化消费结构的优化两方面,这对上海转变经济发展方式、扩大内需、提高人口素质、社会稳定和增强城市软实力均具有重要意义。扩大上海文化消费,关键在于树立都市文化消费品牌,发展文化消费价值链或集聚带,提升文化内涵和形象;重点是抓好"三网融合",大力推进信息服务的基础设施和大众文化基础设施建设;不断创新机制,培育原创文化,吸引文化人才,建立文化高地;推进文化产业与文化事业的协同发展。 相似文献
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上海市民文化需求状况调查 总被引:1,自引:0,他引:1
调查显示,越来越多的新兴信息渠道和文化载体的出现,为市民文化生活提供了更多样的选择,上海市民文化需求呈现个性化、多样化特征。由于文化信息获取渠道不畅、文化消费时间不足、文化产品价格较高、优质文化产品缺乏等因素的制约,当前市民实现文化需求存在一定的障碍。上海应积极创新文化建设的思路与体制,切实保障市民基本的文化权利,以进一步提高市民精神文化生活质量。 相似文献
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非物质文化遗产被誉为"人类精神的家园",应该加以珍视。在保护的基础上,非物质文化遗产可以进行适当旅游开发。本文以大都市上海为背景,廓清了非物质文化遗产的特色、优势、作用、影响,以使非物质文化遗产重新走入大众视野,焕发出盎然生机,实现非物质文化遗产保护与旅游开发的"双赢"。 相似文献
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我国的传统节日在工业化、信息化、全球化的发展中逐步被"边缘化",改革开放之后"洋节"以全新的庆祝方式满足了现代青年人对休闲、娱乐、聚会、消费的要求。随着我国文化教育水平的提高,青年人注重自我价值,自我意识凸显,个性独立张扬。在"洋节"的退烧中创立专属自身群体的独特节日,并赋予节日以文化内涵。从社会文化的多维度视角透视青年自创节日文化的原因,审视其活动内容,引导青年人树立正确的价值观是很有必要的。 相似文献
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针对上海流动人口在主要精神生活领域存在一些突出矛盾和问题,围绕实现好、保障好流动人口基本文化权益,满足流动人口基本文化需求,改善流动人口"文化民生"的基本目标,上海迫切需要厘清政府、用工企业和社区的职责,形成促进流动人口文化建设的合力,形成"政府主导、企业共建、社会参与"的流动人口文化工作机制,将流动人口文化服务纳入城市公共文化服务体系建设范畴。 相似文献
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Michał Cebula 《Sociology Compass》2023,17(10):e13124
Most research on the structural foundations of cultural consumption views tastes and practices as a better or worse emanation of social class or status. In contrast, this paper shows that cultural consumption is also embedded in a larger system of social networks. Not only does it examine whether having more diversified personal network translates into being involved in a wider range of cultural activities (omnivorousness), it also tests whether holding networks of different strength corresponds with different levels of cultural engagement (strong vs. weak). Based on the survey data collected in Poland in 2017, the analyses yield three main findings. First, cultural consumption continues to reflect social class divisions and is a potential mechanism for social exclusion. Second, network diversity is associated with cultural variety independently of class position. Third, the number of weak ties people hold is more strongly associated with the number of “weak” practices (that is practices of less frequency) and the number of strong ties is positively associated with the number of strong practices (voraciousness). These findings are discussed in terms of balance theory, interactional foci and weak versus strong culture. The implications of the article are that omnivorism both signifies class boundaries and indicates participation in different network structures. 相似文献
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Jane Parker Janet Sayers Amanda Young-Hauser Shirley Barnett Patricia Loga Selu Paea 《Gender, Work and Organization》2022,29(1):110-130
Since its bi-cultural foundation with Te Tiriti o Waitangi (the Treaty of Waitangi, signed in 1840 by Māori, the indigenous Polynesian people of Aotearoa New Zealand (NZ), chiefs and representatives of the British Crown), cultural identities have expanded through immigration. While Aotearoa NZ's government seeks to encourage workplace diversity in public service agencies, developments are being disrupted by Covid-19. Using a typology of equality approaches, this study appraises the “ambition” of equity progress in Aotearoa NZ public service agencies based on content analysis of interviews with sector experts, agency staff and managers. In terms of equity discourses, workplace inequities emerge as more pronounced for Māori and Pasifika (the indigenous peoples of the Pacific), indicating that more “ambitious” equality initiatives, including those which aim for intersectional inclusion, are needed. The study thereby contributes a more nuanced understanding of equity approaches that could meaningfully inform workplace initiatives designed to recognize, value and empower gender diversity. Its relevance for Aotearoa NZ, which has one of the most diverse working-age populations in the world, is likely to resonate in other countries where workforce diversity is yet to translate into equitable engagement in and experiences of work organizations by all. 相似文献
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《Chinese Journal of Communication》2013,6(2):121-136
This paper examines the growing cultural trend of Chinese online fiction. Using Gans's twin concepts of taste culture and taste public, it looks at online fiction as a product of two taste cultures evident on the Chinese Web. The paper then explores the growing appeal of online fiction for consumers and producers (or readers and authors) in relation to two key issues: are there important differences between online fiction and print fiction? Is the participatory nature of online fiction leading to a reinvigoration of literary creativity in the Chinese-speaking world? The relationship between the consumer and the producer of Chinese online fiction can also be explored in terms of an attention economy, and the evolving market for this type of fiction provides an excellent example of how such an economy functions. The attention economy encourages competition for the attention of readers and consequently ensures that the values of the taste public consuming this fiction strongly dictate its content and its continued improvement as a form of literary production. 相似文献