民族志舞蹈影像的早期实践与文化建构

作为一种以肢体动作与表情神态为主要表达方式的人类文化形态，舞蹈与影视人类学的渊源较为长远。电影自最初发明时期，就以舞蹈为主要的拍摄对象之一，在展示不同地区、民族的文化特征方面起到了重要的作用；人类学者第一次深入田野开展民族志电影记录，舞蹈也是最具代表性的文化表征，象征着地方、民族传统消亡与抵抗的并存。随着电影技术的不断发展，以土著民族舞蹈为核心元素的影片，不仅在大众文化领域成为一种娱乐电影类型，也在某种意义上延续着人类学影像民族志的血脉，并且逐渐从单纯的素材记录走向学术阐释与文化建构的新方向。20世纪后半叶以来，民族志电影与舞蹈的关系逐渐以简单的形态记录，逐渐走向更超多元表达的舞蹈影像志。此外，基于非物质文化遗产传承体系，舞蹈影像志也具有了影音档案的功能和价值。     

三亚后海疍家滨海旅游发展的民族志考察

滨海旅游发展是三亚旅游的热点所在。后海疍家社区作为一个滨海小渔村,拥有优越的旅游资源,近年来滨海旅游发展迅速,这也在某种程度上加速了社区的变迁。文章采用田野调查与口述史的研究方法,其主要目的在于以人类学民族志的方式描述后海疍家在发展滨海旅游过程中地方、企业、国家的互动,并说明在此发展过程中的愿景与困境。     

透过舞剧《一把酸枣》看晋商文化

《一把酸枣》是张继刚的舞剧作品,其以舞蹈为主要表现手法,为观众呈现了晋商文化体裁的爱情悲剧。作者通过别出心裁的创作形式,以舞剧形式对山西晋商的生活历程进行了展现。本文通过对《一把酸枣》在舞美、动作、音乐等方面的艺术特征为切入点进行分析,探讨山西晋商文化的深厚底蕴,让人们了解我国民族文化的魅力所在,进而增强人们保护与传承民族文化的责任感。     

海南疍家身份认同问题研究——基于海南各港口疍民考察札记

族源地认同、语言认同以及民俗与生计认同是海南疍家的身份界定标记。按其层次可分为三个标记系统:第一层次为族源地认同;第二层次为族源地认同+语言认同;第三层次为族源地认同+语言认同+民俗与生计认同。从时间的维度看,海南疍家身份认同的标记系统呈现为历史沉淀与时代建构的结合;从空间的维度看,呈现为身份提纯与分化的结合。     

关于土家族民间舞蹈的文化透视

土家族是一个能歌善舞的伟大民族,他们在长期的历史发展进程中创造了光辉灿烂的舞蹈文化,出现了摆手舞、跳丧舞、八宝铜铃舞、耍耍等别具地域特色的舞蹈形式,成为中华各民族艺术宝库中不可多得的璀璨奇葩;从历史文化内涵来看,该民族舞蹈动作体现了万物有灵、图腾崇拜、祖先崇拜等思想;从历史文化意象来看,该民族舞蹈强化了传承民族历史文化、还原不同生产文明、展现不同生活意境、透视原始宗教观、体现古朴道德观等意象主题,为我们从文化人类学角度透视该民族舞蹈做了很好的诠释.     

论群众文化舞蹈教学辅导的创新与发展

舞蹈作为一种艺术形式，有着广泛的受众，通过简单的动作，既可以展现人体之美，也有强身健体的作用。广场舞作为舞蹈流行的典型例子，舞蹈在流行文化发展中也有着不可估量的作用，既是大众文化的组成，也有良好的传播效果。为了打造出大众接纳的舞蹈形式，要基于群众基础开展文化舞蹈教学工作，本文主要探究了群众文化舞蹈教学辅导的创新与发展。     

民族服饰元素在舞蹈服装设计中的表达

舞蹈艺术的齿轮在时代进步的浪潮下不断向前滚动,人们的审美素质和能力也在不断提升,民族特色元素越来越受大众的青睐。舞蹈服装设计也要顺应社会的需求,民族元素的多样性为设计师提供了诸多灵感,同时在表现舞蹈的主题上发挥着极其重要的作用。将民族文化元素加入到舞蹈服装上,并借助舞蹈这种艺术表现形式寄托人们的美好心愿。每个民族因为其自然地理环境、生活习俗、宗教信仰等方面的差异会形成不同的民族服饰元素,通过舞蹈服装的展现,可以感受鲜明的民族特色。本文首先阐述民族服饰的特点及特殊意义,然后分析民族舞蹈服装对民族服装的吸收与发展,最后进行舞蹈服饰与民族舞蹈相交融的艺术分析。     

浅议东乡族歌舞的生存与发展

我国是个多民族的国家，各个民族都有源源流长的发展历史，文化积累非常丰富。各民族文化特色不尽相同，都有自己的音乐形式和舞蹈风格。各民族舞蹈的一个共同点就是依靠人体动作来表演，表达、传递思想感情信息，把人物的心理、生活活动与人体动作密切联系。人体动作借助音乐的节奏、旋律表现，通过“肢体语言”来抒发人们的思想情感，感召观众，使其领会主题思想，并从舞蹈节律中感受娱悦。在观赏舞蹈，欣赏舞姿、舞步律动的同时，亦欣赏它的艺术美、造型美、情感美、意境美。     

影响傣族舞蹈审美特征因素探究

民族民间舞蹈源于各民族的生活与劳动,是一个民族在特定历史时代与特定环境中文化艺术的高度浓缩。各个民族所处的地理环境不同,审美意识及生产劳动方式等也存在差异,而上述因素不仅会对该民族的步态及身体动作造成影响,同时还会在该民族的舞蹈中打下深深的烙印。以傣族舞蹈为例,身姿轻盈、动作优美、情感表露含蓄充分体现了傣族人民的审美心理及民族性格。傣族舞蹈的动作十分灵活,情感内敛,并且具有雕塑性,舞者通常保持半蹲,同时身体各个关节通常会呈现出一定的幅度,使整个身体呈现出鲜明的"三道弯"特征。傣族舞蹈文化风格独特,舞步轻盈,之所以呈现出这样的特征,源于傣族人生活的环境,以及长期形成的审美意识、文化习俗以及独特的生理结构。     

民族舞蹈融入幼儿园课程的价值与路径分析

从传承中华优秀传统文化的视角来看，民族舞蹈不只是表层的舞蹈动作的传承，深层次上还凝练传递着各民族优秀传统文化。民族舞蹈融入幼儿园课程具有促进幼儿身心全面发展、继承中华优秀传统文化、构建幼儿园园本课程等多元价值。针对民族舞蹈与幼儿园课程的融合提出以下几条实施路径：基于教师引导的主题活动、基于纲要划分的领域活动、基于儿童兴趣的区角活动、基于生活的过渡环节活动、联合家庭与社区展开活动。     

Refugees,migrants, neither,both: categorical fetishism and the politics of bounding in Europe’s ‘migration crisis’

The use of the categories ‘refugee’ and ‘migrant’ to differentiate between those on the move and the legitimacy, or otherwise, of their claims to international protection has featured strongly during Europe’s ‘migration crisis’ and has been used to justify policies of exclusion and containment. Drawing on interviews with 215 people who crossed the Mediterranean to Greece in 2015, our paper challenges this ‘categorical fetishism’, arguing that the dominant categories fail to capture adequately the complex relationship between political, social and economic drivers of migration or their shifting significance for individuals over time and space. As such it builds upon a substantial body of academic literature demonstrating a disjuncture between conceptual and policy categories and the lived experiences of those on the move. However, the paper is also critical of efforts to foreground or privilege ‘refugees’ over ‘migrants’ arguing that this reinforces rather than challenges the dichotomy’s faulty foundations. Rather those concerned about the use of categories to marginalise and exclude should explicitly engage with the politics of bounding, that is to say, the process by which categories are constructed, the purpose they serve and their consequences, in order to denaturalise their use as a mechanism to distinguish, divide and discriminate.     

伊斯兰学者刘智的"元气"与日本儒者伊藤仁斋的"一元气"思想——朱子学"理"、"气"学说的批判与重构

在"文明间对话"被各国学界极为重视的当代,特别值得关注与研究的是,17-18世纪的回儒学与日本德川儒学之间的具有价值和意义的对话.刘智和伊藤仁斋是同时代不同文化背景的两位思想大师,同时受到朱子学影响,并吸收融合而产生出自己独特的思想体系.本文将探讨这两位思想家对朱子学"理"、"气"思想的重构特色.进一步想说明,不同文化...     

Governing multicultural Brussels: paradoxes of a multi-level,multi-cultural,multi-national urban anomaly

ABSTRACT

Updating our earlier work on Brussels as the paradigm of a multi-level, multi-cultural, multi-national city, and in the context of Brussels’s recent troubled emergence as the epicentre of violent conflict between radical political Islam and the West, this paper sets out the paradoxical intersection of national (i.e. Flemish and Francophone), non-national and ethnic minority politics in a city placed as a multi-cultural and multi-national ‘urban anomaly’ at the heart of linguistic struggle of the two dominant Belgian communities. Brussels is one of the three Regions of the Belgian federal model alongside Flanders and Wallonia. It is also an extraordinarily diverse and cosmopolitan city, in which a mixed language Belgian population lives alongside very high numbers of resident non-nationals, including European elites, other European immigrant workers, and immigrants from Africa and Asia. After laying out the complex distribution of power and competences within the Belgian federal structure, we explore whether these structures have worked over the years to include or exclude disadvantaged ethnic groups. To better understand these processes, we introduce our view of the multi-level governance perspective.     

The emerald isle: Ireland and the clash of Irish and Ulster-British nationalisms

This article will focus on the development of Irish and Ulster-British nationalisms through examining five factors that had the greatest impact on the creation and growth of these nationalisms: the geographic and topographic setting; demographic changes; sociocultural factors; economic and class factors; and the impact of the colonial power. The article will show that nationalism is driven by variables that originate from broader processes extending beyond the national group.     

Defacing Levinas: vision,veiling and the ethics of republican citizenship in France

In 2010, the French parliament passed legislation banning the concealment of the face in public in response to a highly publicised debate over the place of the full-face Islamic veil in French society. This essay explores the thus far unexamined relationship between Jewish-French philosopher Emmanual Levinas' ethics of the face-to-face encounter and France's so-called burqa ban. It draws particular attention to the role vision plays in the articulations of ethical comportment between French citizens that were used to justify the burqa ban. In his writing on the face, Levinas remarked more than once that ethics for him is an optics. I seek to demonstrate that his understanding of vision in relation to the face of the Other is a very different optics from that advanced in French anti-burqa discourse.     

民俗变异与民俗学者的立场

现今中国的经济变革正在引起包括物质、精神、社会等层面上的民俗的复杂变化。作者认为民俗学者应当站在学术、社会和人文的立场上来对待、研究这一现象。     

季节变化对军牧一号猪生产力及生长发育规律的影响

本试验研究了不同季节（舍温变化）对母猪生产性能及仔猪发育情况的影响，以及温度对生长猪日增重的影响和断乳仔猪的生长规律。试验结果表明：军牧一号母猪冬季窝产仔数多，但仔猪的成活率、健仔率低，夏季窝仔数少，但成活率和健仔率高，春秋季成活率、健仔率偏低，与其它两季比较差异不显著（P＞0．05），仔猪初生重和断乳体重大。     

The Vernacular International: Heimat,Modernism and the Global Market in Early Twentieth-Century Germany

This article proposes a reconceptualisation of regionalism, nationalism and globalisation as simultaneous and causally connected phenomena, which first peaked in the early decades of the twentieth century. Focusing on figures such as Hermann Muthesius, Fritz Schumacher and others active in the Deutscher Werkbund, it examines how competition in the global market inspired a search for modern yet uniquely national forms that derived their 'authenticity' from vernacular culture. Yet paradoxically, the visual vocabulary of Heimat was frequently inspired by English and American models. This article interprets the aesthetic and political translations which the peripatetics of localism entailed, and shows how consumer goods 'made in Germany' came to be invested with a sense of cultural mission.     

人类学视野中的“采百花”习俗

在盛行一夫一妻制的大理州洱源县西山乡白族传统社会中,婚姻之外还存在着结交情人的"采百花"习俗。"采百花"习俗在当地白族传统社会中呈公开而普遍的存在状态,与其他绝大多数社会为维护婚姻家庭和谐稳定所规定的伦理道德和法律规范相悖。本文作者对"采百花"习俗进行了长期的田野调查,深入分析研究了大理洱源西山白族传统社会中"采百花"习俗的历史文化背景、基本特征、群体认同、社会规范及其在当代社会中发生的变迁,为探求白族传统婚俗文化提供了一个民族志个案。     

Place,identity and football: Catalonia,Catalanisme and Football Club Barcelona, 1899–1975

A growing body of work considers sport and the social construction of identities. Drawing from that research, this article considers how football clubs are involved in the construction of national identities by making explicit the connections between sport, identity and place. The first part of the article examines the literature addressing sport and collective identification/representation and considers critical approaches that uncover the power relations that frame the sport/identity nexus. The second part of the article applies these ideas to a discussion of Football Club Barcelona's role in the social construction of Catalan nationalism and national identity from 1899 to 1975.