高校公共体育课“2S”教学理念的提出与实施

依据“健康第一”、“以人为本”的理念,结合体育教学基本理论,针对我国大学生体质健康状况急剧下降的严峻形式,创造性地提出高校公共体育“2S”教学理念,强调“微笑”与“出汗”的相互融合。该教学理念重视快乐体育教学模式、成功体育教育模式的价值,突出教学内容专项化,教学过程的科学负荷,教学方法的多样化,强调教学组织以学生为主体,教学评价重视过程评价。     

基于单片机的无线遥控小车研究与实现

本文介绍了一种由STC12C5A60S2单片机控制的无线遥控小车,采用控传和图传独立设计的思想,即数据收发模块进行控制和温度数据的传输,图传模块负责作业环境的图像传输.控传部分以STC12C5A60S2单片机为核心,利用NRF24L01+模块数据收发,L298N电机驱动两路直流电机,使小车完成相应动作;DS18B20负责检测温度,由小车收发模块发射,LCD1602液晶模块显示.系统采用模块化设计,结构紧凑,便于优化,且可靠性能高.     

信任危机、逆向选择与品牌重建——来自网贷之家的经验证据

以中国P2P行业信任危机为背景,借助网贷之家公布的数据,利用面板固定效应模型研究信任缺失情形下的逆向选择问题以及政府和行业协会重建品牌信任的效果,结果表明:P2P行业信任危机下的平台旨在通过建设品牌形象来吸引投资人与借款人的做法是徒劳的,信任缺失导致合规平台的诚信经营并不为公众所认可,长此以往这些平台很可能会退出市场,进而引发逆向选择问题;自上而下的制度建设在重建品牌信任中取得了可喜的成绩,有效缓解并逆转了P2P行业的逆向选择问题,且市场整治初见成效。此研究成果对于目前正在进行的P2P行业整顿具有十分现实的指导意义。     

“海丝”战略背景下闽台海洋经济融合发展研究

党中央在新时期作出的共建21世纪海上丝绸之路的战略决策,对深化区域合作、推动全球经济发展具有重大的影响,更为闽台海洋经济融合发展提供了难得机遇。系统梳理和回顾改革开放以来闽台海洋经济合作的历程及成效,分析21世纪海上丝绸之路战略背景下闽台海洋经济融合发展的新机遇,提出闽台两地应充分发挥优势互补,坚持互利共赢原则,全面加强海洋渔业、航港造船产业、海洋科技产业和海洋观光游憩业的融合发展,共同推动闽台海洋开发合作向纵深发展。     

A Lower Bound for the Wrap-around L2-discrepancy on Combined Designs of Mixed Two- and Three-level Factorials

The objective of this article is to study the issue of employing the uniformity criterion measured by wrap-around L₂-discrepancy to assess the optimal foldover plans. For mixed two- and three-level fractional factorials as the original designs, general foldover plan and combined design under a foldover plan are defined, and the equivalence between any foldover plan and its complementary foldover plan is investigated. A lower bound of wrap-around L₂-discrepancy of combined designs under a general foldover plan is obtained, which can be used as a benchmark for searching optimal foldover plans. Moreover, it also provides a theoretical justification for optimal foldover plans in terms of uniformity criterion.     

二维奇异非稳态问题有限元解的误差估计

二维奇异问题的有限元方法是实际中经常会遇到的一类问题,对其解决有重要意义.本文讨论二维奇异非稳态问题的有限元方法,证明了弱解的存在唯一性,并给出有限元解的加权L2-模估计.     

On gart's test for interaction of second order

Gart (1972) ottered a Statistic on testing the hypothesis of no second-order interaction in a 2×s×t contingency table. The statistic was tn be used as an asymptotic chi-square with (s-1) (t-1) degrees of freedom. We show that this statistic suiters from the drawback that unless certain side conditions hold, the statistic would reject the null hypothesis with probability approaching one asymptotically even in the null case. Hence the statistic is not strictly valid for the hypothesis for which it was intended.     

RIDICULING THE ‘WHITE BREAD ORIGINAL’

The 1994 US Supreme Court decision in Luther Campbell et al. v. Acuff-Rose Music, Inc., written by Justice David Souter, reversed a lower court decision and argued in favor of the rap group 2 Live Crew's playful critique of Roy Orbison's ‘Oh Pretty Woman’ by its function as parody. This essay seeks to contextualize that decision by showing the roots of 2 Live Crew's recording in the practice of ‘covering’ – the re-recording of an existent popular composition – and thus the possibilities for redefining authorship that arose with the advent of digital technology. The compositional techniques allowed by computer programs led to the proliferation of sampling in the hip-hop community, thereby liberating sounds from the original content and reconfiguring them in new songs. The technique allowed a critical, and in some cases adversarial, stance to be taken towards long-standing Western definitions of authorship and ownership. 2 Live Crew added to this rich stew of possibilities the familiar and time-tested genre of parody. Their piece took what one judge referred to as the ‘white bread original’ of the Roy Orbison record and twisted about the implicit point of view with regard to gender and sexuality. Discussion of the legal complications that followed upon the suing of the group by the holder of the copyright in the Orbison song, Acuff-Rose Music, Inc., includes the apparently sanctioned use of the song in the Disney-produced film Pretty Woman as well as the use of other Orbison material in director David Lynch's Blue Velvet. The essay concludes with suggestions as to how the language of Justice Souter's decision allows not only for future parodies but also a reinvigoration of speech, one which calls into question power relationships codified in US copyright statutes.