Forward,Ever Forward: a reading of Robert Harris,Photographic Album of South African Scenery,Port Elizabeth,c.1880–1886

Early copies of the Photographic Album of South African Scenery that was published between c.1880 and c.1888 by Robert Harris in Port Elizabeth consisted of 28 double-card pages with two, occasionally one, tipped-in photographs per page. During the near-decade of its production, the number of images increased, printed captions replaced handwritten captions and both the selection and arrangement of images became gradually more coherent and programmatic. The paper interprets these changes as Robert Harris’s attempt to construct a public identity for South Africa at the moment its economy and society were being transformed by the diamond mines at Kimberley and elsewhere that constitute the focus of the later form of the form Album. In the developed form of the Album, a narrative progression is suggested to move from Cape Town and the Western Province, to Port Elizabeth and the Eastern Province, to the Kimberley Diamond Fields, Natal, etc. In order to read this journey critically, the paper is arranged to demonstrate the constituent parts of this journey in the representation of cities and towns, laid out in grid plans on the African veld; the depiction of individual buildings with their expressive vocabulary of architectural style; and the idea of commerce – represented in street scenes, markets and seaports – and the facilitation of commerce through roads, bridges and mountain passes. The disproportionately large number of photographs of Kimberley, with both its mining operations and no less than three commercial markets, underlines the significance of commerce and industry in the new South African identity. The emphasis on commercial achievement in the Album leaves an obviously subordinate role for images of nature in both agriculture and landscape. Farming is represented through such exploitative practices as forest clearing and hunting, rather than the developed forms of agriculture of wine farming, sheep farming and wheat farming. And landscape in the Album is either a landscape subdued to the wants and needs of a settler population that would bludgeon its way through mountain passes or divert the course of rivers to facilitate commerce, or a landscape that is defined by the imported aesthetic conventions of the picturesque and sublime. Similarly, grouping the photographs of indigenous peoples that are scattered throughout the Album, one may see that their representation is entirely instrumental, divided crudely into roles of either war-like barbarians or pliant labourers. In these ways, the Photographic Album may be understood as a true mirror of the colonial achievement.     

Mapping movement landscapes in South Africa

ABSTRACT

The concept of a movement landscape is used to analyse continuities and changes in popular mobilization since the end of formal apartheid. Focusing on four different episodes of protest since 1997, the article examines their relationship to the ANC movement and traditions, and their organizational forms. It finds a general theme of fluid and ephemeral organization, and a distrust of formal hierarchal organization, that is relatively new in South Africa. The Marikana strikes produced the most far-reaching organizational realignments, while the student struggles generated the most innovative re-imaginings of political forms and discourses. It concludes that although there have been critiques of and challenges to the ANC tradition, and experiments with new forms of organizing, they have not produced alternatives that have lasted or dislodged the dominant approaches defined and popularized by the ANC movement.     

Does the Role of Student Factors with Adolescent Substance Use Vary by Geography?

This study assesses the association of 12th-grade student factors (e.g., grades, classroom misbehaviors) with substance use (i.e., binge drinking, cigarette smoking, marijuana) across large, medium-sized, and nonmetropolitan areas. Based on a sample of 2,189 students from the 2013 Monitoring the Future data set, logistic regression analyses showed that poor student academic and behavioral factors were associated with higher substance use after controlling for gender, race, and socioeconomic status. Interaction analyses further showed no significant differences in the influence of student factors on substance use across locales. Results suggest that prevention efforts against substance use should target student factors regardless of area of residency.     

水粉风景画写生教学浅议

本文就水粉风景画写生教学的相关问题加以浅议。     

清代广西三界庙地理分布与三界神信仰探析

三界庙在清代广西各府中都有分布,主要集中分布在南宁、浔州、郁林、平乐、梧州等五府(州),呈现出一种沿着西江流域自东向西递减的分布规律,在郁江两岸分布最为密集。清代广西已经初步形成了三界神祭祀圈,而这种祭祀圈的出现与三界神的现实功利色彩有着密不可分的关系。     

《八月之光》的空间批评解读

《八月之光》以美国南方封闭守旧的杰佛生镇为背景,作为福克纳独创“约克纳帕塔法”世系的坐标因子,该地理空间延续着内战的精神创伤,铺设了种族歧视与迫害的温床。空间批评学聚焦空间的社会文化属性,文学文本空间成为内含多维指涉意义的指示系统。运用列斐伏尔的“空间三元辩证法”,从物理、心理以及社会空间3个层面展开探索,通过主人公乔·克里斯默斯的视角投射出该地理空间下黑白聚居区的冲突与碰撞,个人心理空间中疑似“黑白混血儿”的主体意识的坍塌及白人主导的社会空间对“无身份”种族的围剿。     

传统中国画的意境美对现代景观设计的启示

立足于传统中国画的意境美研究,通过总结其含蓄、空灵、诗情画意的意境特点,分析其对于古典园林景观设计的借鉴作用,并且进一步基于时代的视角挖掘中国画的意境美,指出还原本真和以景诉情两大重要特点,试图探索新时代下,中国画的意境美对于现代景观设计的启示和借鉴作用。     

基于产业融合的新农村景观生态规划——以重庆种苗科技城为例

在“农业与旅游业”相互融合的前提下对重庆种苗科技城进行调研和论证,提炼出了种苗科技城的“三级形象”规划理念,以生态学理论为基础对种苗科技城进行景观规划,旨在创造新型的基于产业融合的新农村景观,为今后农业园区的建设提供参考.     

德国保护地体系评述与借鉴

德国保护地体系是沿袭历史逐步形成的。首先论述了德国保护地体系的法律基础,并对11类德国保护地的定义、现状和管理事权进行了解释。继而对德国保护地体系进行归纳总结:各类保护地由《联邦自然保护法》统筹、分级管理,以自然保护为核心目标;各类保护地地界交织现象广泛存在,从而实现更广泛的连接;关注文化与自然的融合,强调文化景观管理;各类保护地倾向不同功能,平衡保护与利用并合理发展可持续旅游;法治巩固本土特色的保护地。最后对我国的保护地体系进行相关思考:法定保护地须纳入国土空间规划;包容自然与文化景观的保护地可与"自然公园"相得益彰;对保护地的利用及管理需要通过统一规划实现。     

高校毕业生就业区域流向探析——以合肥工业大学为例

本文以合肥工业大学为例,通过对该校近三届毕业生就业的地域流向进行调查,分析了理工科高校毕业生地域流向的三个特点及成因,并就如何做好毕业生就业工作提出有关对策.