Rape culture,misogyny, and urban anxiety in NH10 and Pink

One of the most pervasive aspects of Delhi’s post-liberalization psychopathology has been everyday violence against women. The city’s rape culture was given an exceptionally sharp global focus after the horrific gang rape of Jyoti Singh on December 16, 2012. Recent Hindi cinema has begun to engage with some aspects of the capital’s misogynist urban ethos. In this paper, I look at how the Delhi subgenre of the “multiplex film” has engaged with rape culture, misogyny, and urban anxiety through a close textual and discursive analysis of two recent films—NH10 (Navdeep Singh, 2015) and Pink (Aniruddha Roy Chowdhury, 2016). Specifically, I identify how the December 16 “trigger event” and Delhi’s notorious misogyny are finding newer modes of representation through the interplay of genre and exhibition space. In what ways do these films position and imagine the “multiplex viewer”? New engagements with the figure of the consuming middle-class woman and the public discourses that surround her sexual safety and navigation of space have taken a central position in understanding the present urban psychosis of the capital. I suggest that these films and the forms of spectatorial identification that they privilege are intricately linked to the gendered spatial politics of the multiplex.     

Whatever Happened to Drama? A Configurational–Comparative Analysis of Genre Trajectory in American Cinema, 1946–2013

Although usually conceived of and studied as individual types, genres are frequently combined in practice. This research examines how genres are combined in popular American films, and how the popularity of particular combinations changed between 1946 and 2013. Distinguishing between “contextual genres” (which identify a film's subject matter) and “affective genres” (which identify a film's intent), we find marked differences between the postwar and blockbuster eras of the Hollywood film industry. The blockbuster era exhibits less generic diversity than the earlier postwar era. Furthermore, the popular postwar‐era films dealt with serious subjects and were set in realistic settings. The blockbuster era replaced these with intense, nonrealistic films. We also find that the relationship between contextual and affective genres changes within industry eras, with affective genres dominating at the beginning of new periods and the popularity of contextual genres growing as the period progresses.     

论20世纪70年代初国际石油权力结构的变迁——对“德黑兰协定”和“的黎波里协定”的考察

20世纪70年代的国际石油危机有着深厚的历史根源,它源于国际石油权力结构的急剧变革。60年代后期开始,随着国际石油市场日趋紧张,产油国的地位日益改善,它们从石油公司获得越来越多的石油权力,其中国际石油公司与产油国签订的"德黑兰协定"和"的黎波里协定"发挥了至关重要的作用,是产油国能够针对西方国家使用减产、禁运和提价等石油武器的前提条件。     

A content analysis of BP's press releases dealing with crisis

This study aims to analyze what kinds of frames have been used in British Petroleum's (BP's) press releases, which dealt with the Gulf oil spill crisis that occurred in April 2010. A content analysis was conducted to explore the different frames used by BP in its press releases to deal with the crisis. The main and sub themes are also analyzed through a content analysis of press releases. This study attempts to examine BP's crisis communication strategy through press release usage by closely analyzing the frames and themes that were used. This study found that BP attempted to update the public on what the company was doing to resolve the oil spill crisis, and that they made every effort to manage the crisis by using the company's official update frame. In addition, by using the social responsibility frame, BP aimed to show the public that they had intentions of taking responsibility for the oil spill. Finally, BP used a minimal number of defensive frames as a way of showing the public that they did not want to flee from the responsibility of the oil spill crisis.     

State‐led industrial development,structural transformation and elite‐led plunder: Angola (2002–2013) as a developmental state

From 2002 to 2013, Angola engaged in large‐scale state‐led reconstruction and development alongside an elite‐led appropriation and seizure of national assets. Until the oil price shock, Angola had been succeeding in promoting rapid economic growth, and possibly even significant social development, alongside a massive grab of wealth and power by local elites. Today, though an economic crisis has taken hold, frequent predictions of the country's imminent collapse have yet to be fulfilled. This article reviews the state's development planning and expenditure with a focus on public investment and industrial development to determine to what extent Angola during this period might be considered a developmental or petro‐developmental state. It is argued that, while more significant than generally thought, petro‐developmental outcomes were and are limited by the autocratic and neopatrimonial tendencies of the Angolan elite. Nevertheless, limited success with structural transformation may have lasting effects. Following its long civil war, the conditions existed for Angola to follow a new path of state‐led development. Though it may now be more difficult, structural transformation and economic diversification remain the only path to economic and social development.     

环保型植酸防锈剂的制备及防锈性能研究

以植酸为原料，制备了环保型防锈剂，用红外光谱分析了防锈膜的成分和官能团，用热失重分析了防锈膜的耐热性能.结果表明，制备的环保型防锈剂为植酸系防锈剂.以制备的环保型防锈剂应用于钢板的防腐蚀实验，扫描电镜观察了钢板的微观结构，表明防锈剂转化膜整齐光滑，晶粒紧密排列呈稻粒状，防腐蚀效果良好.对防锈膜进行了能谱分析，主要含有C、O、Na等元素，防锈膜的磷含量较少，为环保型水基防锈剂.电化学分析表明：涂覆防锈膜后，防腐蚀效果增强.     

“第三极文化”视野下的中国电影美学

第三极文化理论对中国电影美学建设具有启示意义,在第三极理论的视野下,对中国电影的美学渊源、美学精神、美学内涵进行重新观照,有助于解释或解答许多困惑性的问题,尤其对中国电影的民族化建设具有重要的启示价值.     

对华北油田勘探历程的再认识

华北油田是我国最早发现古潜山海相碳酸盐岩油气藏的地方,也是产量骤起骤降幅度最大的一个油田,它的勘探过程中蕴含着太多丰富的经验值得总结.从任4井发现的细节入手进行回顾,对华北油田勘探经验中的古潜山、碳酸盐岩、震旦系灰岩等关键问题进行了深入思考.指出按有机成油论的学说很难将华北油田的历史经验深入总结下去,应按无机成油论的观点,对华北油田的历史经验进行再认识.     

絮凝床在茂名热电厂含油污水处理系统中的应用

絮凝床是中山大学开发的一种新型水处理设备．这种水处理技术在我省已用于包括含动、植物油类的污水处理工程中，１９９６年我院首次把这种设备用于茂名热电厂合油（矿物油）污水处理，工程建成投产以来取得了令人满意的效果。     

天然岩芯化学驱采收率机理的一些认识

用牛顿流体驱替一定的均质多孔介质系统结果显示，驱油效率由驱替液的毛管数决定。用化学液驱替天然岩芯时，除毛管数以外，还有很多其他因素影响驱油效率。天然岩芯，即使在宏观上是均匀的，在微观上也不均匀；驱替时所得到的效率一般被称为驱油效率，实质上是微观波及效率和驱油效率的乘积。牛顿流体没有弹性，驱替时，体系的润湿性不发生变化，不出现渗吸作用，不形成乳液，孔隙的几何形状不发生变化。但是，用化学液驱替天然岩芯时，由于化学液为粘弹性，体系有润湿性的改变，会出现乳化现象，渗吸作用也会出现。上述因素都会影响驱油效率，尤其是当多种因素同时作用时。分析了极限采收率和经济采收率的区别。很多文章都论述极限采收率，但经济采收率对油田的作用更大。化学驱应考虑上述因素，这对设计、开发、筛选化学剂以及确定驱油体系会是有益的，将深化我们对化学驱机理的认识，促进这方面更深入的研究。