1837-1857年英国对印度政策的调整与危机

19世纪30、40年代英国工业革命完成后,英国开始调整其在印度的殖民统治政策。1837年,维多利亚女王即位后,继续对印度进行殖民主义改造。维多利亚时代前期(1837—1857)英国对印度政策的调整,主要体现在1853年法案,以及根据法案精神进行的一系列改革上。英国政府继续进行殖民主义改造,实现了英国工业资本对印度的剥削。但是与此同时,英国在印度的统治出现了危机。1857年印度民族大起义既是这种危机的一种极端表现,又成了英国对印殖民统治历史的大界标。     

经济思想中的意识形态探析

经济意识形态是指以经济思想、经济学说的形式表现出来的意识形态,是一种表达特定阶级或社会集团的切身利益的观念体系,为特定社会集团的经济利益提供直接的辩护。经济学不是纯科学,它摆脱不了意识形态的属性。当代最典型的经济意识形态是西方经济学相关理论。＂经济全球化＂、＂新自由主义＂、＂低碳经济＂等经济概念都是西方垄断资本代言人制造出来的话语,包含意识形态的陷阱,我们应该慎重对待。     

The Politics of Pain and the End of Empire

This article is a discussion of the role of feeling and emotion, and particularly the experience of pain, in contemporary global political events. In placing pain at the center of an analysis of a lived experience of global politics, the aim is to forge strategies to resist neoliberal imperialism and to create emotionally literate political communities. Drawing on the work of Elaine Scarry, Sara Ahmed and Frantz Fanon, the article situates the concept of emotions in a modern colonial landscape that is both racialized and gendered, complicated by neoliberalism as a subjectivity that contains the scope for emotions. As a case study, the article considers the emotions of viewing the deliberate infliction of pain through the circulation of the ‘Abu Ghraib photos’, particularly in the form of recent museum exhibitions in the USA.     

论《尤利西斯》中的中国形象

<尤利西斯>是一部现代主义的鸿篇巨制,也是关于爱尔兰民族文化的历史、现状和未来的民族史诗,其中充满了乔伊斯关于民族文化与异族文化之间关系的真知灼见.在对爱尔兰民族文化之外的文化书写中,对中国文化的书写是支离破碎的,但含义也是最深刻的.<尤利西斯>再现了小说人物在外貌、饮食、特质、宗教、语言、道德等方面对中国形象的扭曲、误解和妖魔化,表现了这种定式化思维背后不同的动机和相同的危害性.当然,乔伊斯在<尤利西斯>中书写这种对中国的定式化印象的目的是揭露殖民主义文化和民族主义文化对他文化的"他者化"的手法、目的和危害,并展示殖民主义文化和民族主义文化通过大众传媒对普通民众所产生的无处不在的影响,从而达到批判殖民主义和民族主义的目的.     

Islam and Processes of Minorisation among Ethnic Chinese in Indonesia: Oscillating between Faith and Political Economic Expediency

The main focus of studies on ethnic Chinese in Southeast Asia is generally their business acumen or the extent to which they are assimilated into their respective country of residence. This paper concentrates on a rather different aspect among this ethnic group, namely the influence of Islam amongst the Chinese, especially in Indonesia and Malaysia. This is a topic on which very little research has been done, especially in terms of identity and ethnicity together with processes of integration and assimilation—in relation to both other ethnic Chinese and the local communities in which they are socially imbedded. Because of the deficiency of empirical data, it is imperative that we understand the historical processes that lead up to the present marginalised position of this group of Chinese. As a consequence, the present paper employs a historical approach towards the study of the Chinese Muslims in their respective local communities.     

"Occupation" and the Movement of People within the Japanese Empire: An Exploration of Migration between the Japanese Southern Frontier and Colonial Taiwan, the 1920s−1930s

Abstract:  Although there have been few studies on Yaeyama (the southern end of Ryukyu Archipelago) locals' migration during the pre Asia-Pacific period, a significant number of people went from there to colonial Taiwan, in particular during the 1920s and 1930s. In this paper, I discuss why many locals of Yaeyama worked in colonial Taiwan by analysing narratives of former migrants in autobiographies and my own interview research. First, this paper demonstrates how Yaeyama locals' attitudes to "work" and "occupation" were converted into more modern attitudes between the 1900s and the 1920s. Yaeyama locals often mention there being "no jobs" in their home islands, which justified their decision to go to Taiwan; but the discourse of "unemployment" should not be understood as a mere reflection of Yaeyama's economic condition, but also as a mark of change in people's attitude to the world. Since "work" and "occupation" are not just a matter of economic necessity, it could be said that Yaeyama locals searched for jobs in Taiwan not strictly in terms of economic profitability. Yaeyama locals went to colonial Taiwan, in search of "employment"; this action was closely associated with a financial motive, but it also implies development of self-worth as a social being. Although Yaeyama locals in Taiwan sometimes suffered ethnic discrimination from Japan proper, they were usually treated better than Taiwanese; Colonial Taiwan was an attractive destination to Yaeyama locals not only because Taiwan was more affluent and modernized, but also there were more opportunities for them to achieve social promotion in the context of the Japanese Empire.     

“半殖民地半封建”与毛泽东思想的建构

“半殖民地半封建”是以毛泽东为首的中国共产党人对近代中国社会性质的总概括.“半殖民地半封建”对毛泽东思想产生了重要的学术影响,而毛泽东也对“半殖民地半封建”概念的形成作出了重要的贡献.积极开展“半殖民地半封建”与毛泽东思想的建构研究,既可以深切地把握毛泽东思想的内涵,也可以为今天第二个百年梦想的实现提供历史借鉴.     

论网络空间治理国际合作面临的难题及其应对策略

网络空间治理的问题通常需要国际合作才能得以有效开展。然而,当前网络空间治理的国际合作却面临诸如国家间网络主权是否存在的争议、网络空间治理适用制度的差异以及不同意识形态融合等诸多难题。这些难题制约着网络空间治理国际合作框架和运行机制的建构。事实上,网络空间治理国际合作的缺失导致的结果就是：它不仅损害了发展中国家的主权和利益,而且也纵容了跨国网络犯罪,妨碍了公民信息自由权利的实现。虽然当前的国际形势决定了网络空间治理国际合作难以在短期内达成,但是以捍卫网络主权、坚持网络合作的国际谈判与网络技术研发等为达成网络空间治理国际合作而创造条件的努力不能停止。这对于建设和平、安全、开放、合作的网络空间以及建立多边、民主、透明的国际互联网合作治理体系至关重要。     

Decolonial Hip Hop: Indigenous Hip Hop and the disruption of settler colonialism

ABSTRACT

Contemporary Detroit has gone through many changes – or so it appears. From streets lined with vehicles made by Chrysler, Ford, and General Motors and driven by the nearly 2 million people who called the city home in 1950 to certain parts of the city looking like ghost towns; from a population that dwindled to 670,000 to the revival of downtown. Yet, what has been remarkably consistent is the invisibility of the Motor City’s Indigenous population. Indeed, Indigenous erasure, combined with rhetoric and policies that continue to marginalize and subjugate African Americans in Detroit, create a place rooted in multiple colonialisms. This essay examines how Detroit’s Indigenous Hip Hop artists resist settler colonialism through art, creativity, and culture as well as the practices of Detroit 2.0, a rhetoric and policy used by Detroit elites to reimagine it as a place of opportunity. By making visible the connections between blackness and indigeneity, as well as by linking the struggle of colonized peoples in Detroit to those in Palestine, Indigenous artists are not only asserting their humanity and challenging the longstanding idea of their erasure, but also constructing pathways for artists and activists to disrupt the effects of multiple colonialisms that continue to marginalize people of colour in urban areas. Detroit’s Indigenous Hip Hop artists make socially conscious music and also participate as activists in the city of Detroit. They serve as a window onto contemporary Indigenous identity, represent an exemplar of the urban Indigenous experience, and combine activism with art in a variety of ways.