以人民为中心的理论认识与制度安排

以人民为中心的思想理念拓展了传统意义上的人民概念和创造历史伟业的依靠对象。依靠人民创造历史伟业，发展生产力，提供丰富的物质财富、精神财富和生态财富。构建劳动力资本化为劳动者股份的制度安排，合理界定劳动收入和资本收入的边界，保障劳动贡献归劳动者所得，资本贡献归资本所有者所得，为人民实现美好生活需要提供制度和收入上的保障。以人民为中心的思想理念，是对《共产党宣言》的每个人自由发展思想的继承和发展，是马克思主义中国化时代化大众化的理论成果。     

Aesthetics of disaster as decolonial aesthetics: making sense of the effects of Hurricane María through Puerto Rican contemporary art

ABSTRACT

On 20 September 2017, Hurricane María made landfall on Puerto Rico causing unprecedented disaster. From that day onwards, the Puerto Rican multi-layered colonial, social and political context was further complicated by the traumatic acceleration of a human disaster via this natural disaster. This crystalized the urgency of using art as vehicle for (social) catharsis, a practice that continues to be used by individual artists, collectives, community organizations, art projects, and other art institutions on the island and abroad, through mural art, community paintings, art exhibitions, literature, music, and many other aesthetic expressions. This article examines, from a decolonial and critical cultural studies perspective, post-Hurricane María artistic expressions in contemporary art as decolonial aesthetics through the cathartic use of the frame of an aesthetics of disaster. It is argued that, an aesthetics of disaster aims to re-assert an artistic form that is able to accelerate the discursive nullification of a deeply rooted colonial, social and cultural problem by way of art as catharsis inspired by the way that Hurricane María unveiled these problems. The piece briefly contextualizes Puerto Rico, and it examines the idea of Puerto Rican contemporary art as catharsis. Then, it describes how Puerto Rican contemporary art exhibitions and associated aesthetic production are processing urgent post-hurricane issues through three illustrative pieces in exhibitions in PR and abroad in the United States (US). Lastly, decolonial aesthetics is reexamined and re-understood, informed by Édouard Glissant's view expressed in Poetics of Relation which aids to the conclusion that Puerto Rican contemporary art using the frame of an aesthetics of disaster functions as a powerful form of decolonial aesthetics.     

新中国成立以来中国共产党对十月革命的纪念与政治话语的建构

新中国成立以来,中国共产党因国家和社会现实需要,不同时期对十月革命的纪念与阐释呈现出不同的主题.社会主义革命与建设时期,中国共产党借十月革命表达了在社会主义建设、中苏关系协调、社会主义阵营的团结和世界和平的维护方面的政治诉求.改革开放后,十月革命的纪念又为中国特色社会主义道路的探索建构起双向话语支撑,既明确了中国改革的政治方向,又建构了中国特色的社会主义话语.中国共产党对十月革命的纪念与阐释呈现出反对历史虚无主义、坚持服务现实、彰显主体意识的鲜明特点.中国特色社会主义道路不仅仅是对十月革命道路的坚持和继承,更是在新的时代条件下以中国为本位对这一道路的发展与创新.站在新的历史方位,中国共产党强调应坚定不移走中国特色社会主义道路.     

微信：结群革命与现代生存

在人类的文化基因中，没有任何的人群能够摆脱结群这一人文进程。在现代社会里，人们结群而居的传统方式已经成为往事，居住的结群让我们“分布”到社区里，而原来结群具有的许多功能被碎片化到城市的各种馆站机构中。在结群方式上，微信群又提供了一种结群的革命方式。微信结群基本的群特征有：交流信息是微信群的第一功能，传播专业知识是微信群的第二功能；表达对于事物的意见和看法是微信的第三功能。微信结群在工业化的现代社会，也像城市里的各种馆站，碎片化地呈现了以前结群中的不同功能，把以前的结群中群体聚居分散在各种各样的结群中。这种结群一方面弥补了我们社区聚居中的缺陷，是一种结群革命，但它却进一步强化了社会陌生化的程度。     

试述马克思主义大众化传播应坚持的四个基本原则

马克思主义大众化传播是一个极其复杂、艰巨的社会系统工程。学术界对于马克思主义大众化传播应该坚持什么样的原则和方法也是众说纷纭。从当代世界和中国现实情况、信息传播技术飞速发展的时代背景,以及马克思主义理论创新发展的内在规律出发,马克思主义大众化传播应坚持指导思想一元和文化价值多元的统一、理论逻辑和生活逻辑的统一、科学性与通俗性的统一、传承性和开放性的统一等四个基本原则。     

新乡土世界的美学建构——新世纪河南女作家乡土小说分析

新世纪以来,一批河南籍女性作家开始崭露头角,并取得了引人注目的成绩。面对急剧转型的时代,传统乡土叙事经验已经无法涵盖已经发生巨变的乡土社会,河南籍女作家以一种更加开放的姿态面对新的乡土世界,她们的创作把日常生活经验转化成一种叙事伦理,从而以独特的乡土感知,细致的文字表述拓宽了传统乡土小说的表现领域,更新补充了乡土小说的叙事内涵,为河南乡土文学注入了新质。     

The business of writing: literature as a commodity in Claudia Piñeiro’s Betibú

This article presents considerations about the status of literature as a commodity and writers as professionals in the twenty-first century. These considerations are based on an analysis of Argentine writer Claudia Piñeiro’s Betibú (2011), which follows the story of an Argentine crime novel writer who becomes a ghostwriter after her latest novel receives harsh reviews for being considered commercial rather than literary. I argue that the novel in question points out misconceptions about the influence of the book industry on the aesthetic quality of literary writing, highlighting the need for literary criticism to look into everyday relations between readers, authors, and editors.     

Maintenance work: Interrogating the sociology of art

The following article explores the different ways art sociologists investigate art that is based in the participatory arts. The aim is to shift the empirical focus to the art practice, which speaks for itself, and to place the work of the artist and all who cooperate or collaborate in the making of the artwork at the center of sociological analysis. By allowing the artist to speak fully about their work, art sociologists can uncover new social and cultural phenomena and better understand the different motivations underlying art-making. The following literature highlights the recent tendencies in the sociology of art, explores the “social turn” in art and presents different sociologists who focus on the art practice and the art’s voice. For further development of the field, I suggest the sociology of art needs to catch-up with the recent tendencies in art by placing the empirical focus on participatory art practices that will not only give us a better understanding about the intricate actions taking place in the art making, but it will also illuminate new layers of social life that are hidden. To conclude, I suggest that sociologists engage with participatory-based artists to enhance sociology through a public sociology of art.     

上海都市民俗的文学书写

都市民俗是在都市环境中蕴育形成的物质民俗、社会民俗、精神民俗及语言民俗等。在20世纪华洋杂处的上海,都市民俗形成了其特有的兼容并蓄的特点。对上海都市民俗的文学书写经历了20世纪30年代新感觉派的“异质民俗”书写、40年代新市民作家的“日常民俗”书写,以及80、90年代当代作家的“民俗寻根”书写等阶段,从而建构起了一条跨越时空的都市民俗文学书写的独特的风景线。都市民俗的文学创作承传也积淀着作家个人的文化情结与国家民族的文化记忆,具有文学史的意义与价值。     

Young adult carers: a literature review informing the re-conceptualisation of young adult caregiving in Australia

The experiences of young adult carers (YACs) have been vastly under-researched, particularly within Australian caregiving literature. This article explores the existence, extent and nature of informal young adult caregiving in Australia, defining YACs as individuals aged between 18 and 25 years who provide unpaid care or support to family members living with chronic illness or disability. The aim of this article is to provide a foundation for the re-conceptualisation of YACs as a distinct carer cohort who, without suitable recognition and specifically targeted support, may experience significantly reduced future life opportunities. The traditional, narrative-based review will first redefine YACs in accordance with overseas literary definitions and will then explore the complex nature and extent of young adult caregiving in Australia. Explanations as to why young adults are increasingly undertaking these informal caregiving roles and how YACs differentiate from their non-carer peers will then follow. Finally, three prominent paradigms, namely the clinical, social capital and carers' rights' perspectives, will be presented to establish a greater understanding of the implications, contextual experiences and unmet civil rights of YACs in Australia.