20世纪艺术理论中的再现说

“再现说”是 20世纪中国艺术理论史中占主导地位的艺术理论,它影响了 20世纪中国艺术实践和艺术理论的整体格局,也影响了人们对艺术起源、艺术本质的看法。20世纪中国社会的动荡,使“再现说”为承载社会责任而偏离了艺术对它的要求。因此,要结合各种观点的语境分析其合理性,并结合“表现说”来分析其得失。     

Effects of Medicaid managed care policies on mental health service use among a national probability sample of children in the child welfare system

Children in the child welfare system are dependent upon Medicaid to finance services for their considerable mental health needs. This study examines the effects of Medicaid policies on mental health service use among a national probability sample of children in the child welfare system. Data for this study came from the National Survey of Child and Adolescent Well-Being, the Caring for Children in Child Welfare study, and the Area Resource File. Weighted multivariate logistic regression analyses were conducted to estimate effects of policy variables on children's use of mental health services, controlling for child-level covariates and county-level health resources. Children in counties with behavioral carve-outs under Medicaid managed care had lower odds of inpatient mental health service use. Medicaid managed care enrollment and variations in type of provider reimbursement did not affect use of mental health services. Older age, greater need for mental health services, and higher levels of caregiver education were associated with increased odds of service use. Restrictions on use of inpatient mental healthcare caused by behavioral carve-outs may disproportionately affect children in the child welfare system who have high rates of such use. Careful adoption of carve-outs is necessary to assure appropriate care for these children.     

Development of the Mental Illness and Disorder Understanding Scale

Abstract: Although administrative bodies such as community health centers have implemented various awareness campaigns to promote community understanding of mental health and to reduce the stigma associated with mental illness and disorder, there have been few reports that have quantitatively analyzed the effects of these campaigns in Japan. Therefore, this study was conducted for the purpose of developing the evaluative “Mental Illness and Disorder Understanding Scale (MIDUS)” for awareness campaigns and assessing its reliability and validity. A survey was conducted on 1 004 community residents using a self‐administered questionnaire. An assessment of the reliability and validity of the scale was then conducted. The Cronbach a coefficient of the MIDUS was 0.78, thus indicating adequate reliability. Factor analysis of the MIDUS revealed three factors: “Treatability of illness”, “Efficacy of medication” and “Social recognition of illness”. In addition, a significant correlation was observed between the MIDUS and existing scales, and fixed criterion‐based validity was demonstrated. The MIDUS utilizes items worded in the form of affirmative expressions so as to avoid promoting new bias. It was confirmed to be both reliable and valid, thereby suggesting its usefulness as an evaluative scale of awareness campaigns.     

大学生自我表露的比较研究

目的:考察主动到心理咨询中心求助的大学生自我表露和孤独状况并与普通大学生的资料进行比较;考察来访者对咨询员的自我表露与其他目标人的表露之差异。结果发现:求询大学生与普通大学生的自我表露相比显著地低;求询大学生对咨询员的表露比其他目标人的表露显著地高;求询大学生的孤独感明显地高于普通大学生;心理咨询在大学生发展过程中起着重要的作用。     

论翻译再现的层次

翻译是一种双语行为。既要侧重于研究原语、解读原文文本,又要侧重于研究译语,在原文与译文文本表现法之间找到一个平衡点。表现法的目的是探讨如何将“获得的意义”落实到得体的目的语文本中。本文着重研究翻译表现法的基本原则,根据译者对意义把握和意义表达程度的深浅,翻译再现的层次可分为表层翻译、中介层翻译和深层翻译。     

墙的变异--试论当代西方建筑流派之变化

任何事物都在发展变化，建筑流派也同样变化着，本文通过对建筑外墙的表象变化的论述，引出建筑流派的变化，阐明这一变化的根源在于建筑哲学的变异，墙的变异可谓当代西方建筑流派变异的“缩影”。     

文化符码与心理符码的合－－鲁迅作品中的看客形象小议

看客是鲁迅作品中的重要形象,它一方面作为一种文化符码出现在作品中,代表着鲁迅对中国封建文化的认识,体现着封建文化的吃人本质;另一方面,它又表现着鲁迅内心世界的恐惧心理,成为创作主体的心理符码.鲁迅对看客形象的塑造,是按照抽象这一艺术原则进行的,他限制看客的活动空间,把看客抽象成无生命的结晶质.这些艺术表现均源于鲁迅摆脱内心恐惧的需要.     

试论心理健康教育是思想政治教育的重要组成部分

心理健康教育定位不当是思想政治教育长期效果较差的重要原因之一.文章分析了心理健康教育和思想政治教育的关系,认为现代思想政治教育应包括思想教育、政治教育、道德教育和心理教育四个方面,其中,心理教育是基础.心理健康教育是最初级、最低起点的教育,同时又是最深层次的教育.因此,心理健康教育是思想政治教育的重要组成部分.     

心理表征及其特征

认知科学的心理表征是有机体环境信息的载体,认知系统具有一种承载信息的内部状态,即中介状态.这种中介状态具有五种特征,即持久性、差异性、抽象性、具有成分结构和受规则控制.讨论心理表征的深层次问题对于说明各种认知能力非常重要.     

Television and Violence in the Economy of Memory

The present paper aims to consider the cultural function of television as a technology for the creation of a public memory. The television system records past images, preserves them, and broadcasts various historical programs. A viewer owns the public memory jointly, through watching/consuming programs. However, the process of production and consumption of programs is linked with the exclusion of other historical memories from the public space. After all, the creation of public memories in depth is related to social power. Through the analysis in concrete terms of a series of programs of Project X and the second episode of the Nippon Hoso Kyokai (NHK; Japan Broadcasting Corporation) series, Special Edition: Judging War, the relationship between the organization of public memories and social power is explored. Project X depicts the challenges of engineers of middle standing who initiated new industrial and technological developments in the 1960s and 1970s. Special Edition: Judging War is based on coverage of the Women's International War Crimes Tribunal on Japan's Military Sexual Slavery. This program was subjected to revision on the eve of its broadcast. What forms of expression were eliminated? These two programs should help us define more clearly what the Japanese media selects for incorporation into the public memory.