宋代李白诗歌辨伪活动述论

李白部分诗歌一直有真伪之争，辨伪工作是李白诗歌研究史和接受史上的一个重要问题，在宋代，有关李白诗歌的辨伪曾形成过一股风气。唐宋时期李白诗歌的编集不是很完善，存在大量佚诗，在宋敏求、曾巩的整理本之外，书法、笔记小说、诗话等文献记载的李白诗歌真伪杂陈，因而引起学者、诗人、诗话家的关注与辨别。宋人在辨别李白诗歌真伪的过程中运用了文献溯源、书法鉴定、辨别语言、体悟风格以及直觉判断等方法，这些辨伪方法是宋人诗学思想与时代思潮的体现。诗歌辨伪的结论并不强求统一，相反，辨别争论的过程才是李白接受史的精彩片段。

On the Falsification of Li Bais Poems in the Song Dynasty

Disputes over the true and false of Li Bai’s poems have been reigning for long. So the falsification is an important presence in the study history of Li Bai’s poetry and in the acceptance of his poetry. There formed a common practice on the falsification of his poems in Song Dynasty. The compilation of Li Bai’s poems in the Tang and Song Dynasties is not very good, and a lot of poems were not included. In addition to the collation of Song Minqiu and Zeng Gong, the true and false of Li Bai’s poems, such as calligraphy, notes novels and poetry, have aroused the attention of scholars, poets and poetry theorists. In the process of the falsification of Li Bai’s poems, the methods of tracing the sources of literature, identifying the calligraphy, distinguishing the language, the style of understanding, and the intuition judgment were used. These methods are the embodiment of the poetic thought of the Song Dynasty and the trend of thought of the times. The conclusion of poetry’s argument should not be unified. Instead, the process of falsification is a wonderful part of Li Bai’s acceptance