赵树理的"标本"意义

赵树理在中国1940—1960年代的文坛上几度浮沉,最终以悲剧告终,对研究这期间的中国文学是有着"标本"意义的。其"问题小说"创作与"中间人物"的塑造都为他招来不少是非,而究其根源却在于他所坚持的现实主义创作原则。对赵树理的褒与贬实际上与对现实主义把握的正确与否有关。赵树理这一"标本"提供给我们的启示是,必须为现实主义正本清源。

Revelations of Zhao Shuli's Fiction As a "Specimen"

The fact that Zhao Shuli, after a quite few ups and downs in the field of literary creation from 1940 through 1960, has finally ended tragically, discloses certain revelations as a "specimen" to the studies on the literary works of this period. The "problem novels" produced, and the images of "mean characters" depicted, by him have both given rise to many disputes for him, and all this is rooted in the realistic creative principles he insisted on. The praises and criticisms bestowed on him is, therefore, dependent on whether realism is grasped correctly or not. And the revelations offered us by Zhao Shuli's fiction as a "specimen" is that realism must be interpreted in a correct way.