论音乐欣赏中的审美现象

音乐作品通过具有感知能力的欣赏者的知觉感知成为审美对象.在音乐欣赏过程中,能够领悟作者意图的创造性的欣赏,使音乐作品进入听众意识之中,重建活动就显得有意义.音乐作品有它的自在性,知觉主体在感受音乐作品时要积极介入,但不能随意.在音乐欣赏的活动中,知觉主体总是带着某种审美标准去评判审美对象,对于不符合自已的审美标准的音乐作品,可能会作出与音乐作品原意相左的理解.在不同时期的音乐审美过程中,音乐审美的偏离也时有存在.另外,审美心理定势对音乐欣赏活动也起着一定的作用.

On the Aesthetics in Music Appreciation

In music appreciation, music works become the object of aesthetic perception. Music reconstruction on the part of the listener is especially meaningful for the creative appreciation of the composer's real purposes and bringing the music work into his or her perception. Music works have their own laws, so the perceptive listener should actively but not arbitrarily get involved. In the course of music appreciation, the listener tends to exercise evaluation with his self-defined standards or criteria, so that he may arrive at a different understanding if a musical work does not meet these criteria. Deviation may occur at different times of music appreciation. Also, aesthetic orientation plays a part in music appreciation.