一个沦陷区诗人的生命之维——论南星20世纪40年代的诗歌创作

沦陷区诗人南星于20世纪40年代创作的诗歌具有很强的共性,它们具有浓厚的古典主义情调,和谐宁静.而"庭院"一词,作为他诗歌中的常用意象,具有强烈的象征意义.它象征着这些诗歌内部空间的自足与封闭.而作为这一时期诗歌创作特例的<沉忧>则象征着对"庭院内的世界"的突围.它和南星其他诗歌一起,反映着诗人的创作心态和时代语境耐人寻味的关系.

On the Poetic Creation of Nan Xing, a Poet in 1940S in Japanese Occupied Areas

The poems which Nan Xing wrote in 1940s in Japanese occupied areas share some strong similarities and they are classical and harmonious.The Yard,as a commonly used image in his poems,indicates that the poet has set the boundaries for his poems thus the inner spaces of the poems are limited.The poem Melancholy as a different case in Nan Xing's poems indicates the breakout from the world inside the Yard.Melancholy and Nanxing's other poems reflect the interesting relationship between poet's mind and the times.