| 艺术精神的本体论阐释 |
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| 引用本文： | 张伟.艺术精神的本体论阐释[J].辽宁大学学报(哲学社会科学版),2004,32(6):1-7. |
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| 作者姓名： | 张伟 |
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| 作者单位： | 鲁迅美术学院,文化传播与管理系,辽宁,沈阳,110003 |
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| 基金项目： | 辽宁省教育厅人文社科研究计划:202365559 |
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| 摘 要： | 近些年来人们对艺术的本质进行各种形式的批判和消解,但是这些都是在认识论意义上展开的,并且没有相应的理论建构。本文从生命本体论出发对艺术精神和艺术本质进行了区别性的阐释,认为艺术本质与生命无缘,只有艺术精神才能成为生命意义的承担者。笔者试图将艺术精神作为本体的承诺,集中阐释"艺术精神应当何为"的问题,试图为当代艺术的发展提供本体论的理论建构。
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| 关 键 词： | 精神 艺术 本体论 生命 意义 |
| 文章编号： | 1002-3291(2004)06-0001-07 |
| 修稿时间： | 2004年6月5日 |
From the Ontology to Expound Art Spirit |
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| ZHANG Wei.From the Ontology to Expound Art Spirit[J].Jounal of Liaoning University(Philosophy and Social Sciences Edition),2004,32(6):1-7. |
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| Authors: | ZHANG Wei |
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| Abstract: | In the recent years people have been criticizing to the innate character of the art from different point of views ,but those are launched on the epistemological meaning and have no homologous theories construction. This text sets out from the ontology to expound the natural difference between the art spirit and the innate character of the art ,thinking the art spirit has no predestined relationship to the life, only art spirit can become the bearer of life meaning.This text tries to treat the art spirit as the commitment of the life ontology ,concentrating the explanation of problem of" what the art spirit should be",and tries to furnish the theories construction of the ontology for the development of the contemporary art. |
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| Keywords: | spirit arts ontology life meaning |
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