| 写实:中国戏剧现代化的双刃剑 |
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| 引用本文： | 张艳梅.写实:中国戏剧现代化的双刃剑[J].四川大学学报(哲学社会科学版),2007(3):106-109. |
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| 作者姓名： | 张艳梅 |
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| 作者单位： | 杭州师范学院,人文学院,浙江,杭州,310036 |
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| 基金项目： | 杭州师范学院校科研和教改项目 |
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| 摘 要： | 19和20世纪之交,中国戏剧开始了现代化转型,写实性的话剧被奉为现代戏剧的方向,其现实性与观念性被强化。但写实如一把双刃剑,它既促进了现代戏剧的建构,又阻碍了它的进程。
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| 关 键 词： | 中国戏剧现代化 写实 现实性和观念性 |
| 文章编号： | 1006-0766(2007)03-0106-04 |
Realism: the Dual Nature for Chinese Modern Drama |
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| ZHANG Yan-mei.Realism: the Dual Nature for Chinese Modern Drama[J].Journal of Sichuan University(Social Science Edition),2007(3):106-109. |
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| Authors: | ZHANG Yan-mei |
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| Abstract: | At the turn of 19th and 20th centuries,Chinese drama began its course of modern transformation.Realism drama was looked at as the orientation of Chinese drama,The property of reality and conceptualization were especially stressed.But as a double-edged sword,realism promoted Chinese drama's modern transformation,and also obstructed its process. |
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| Keywords: | realism of modern Chinese drama realism property of reality and conceptualization |
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