| 哈萨克族婚嫁仪式歌中的女性民俗文化价值 |
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| 引用本文： | 潘帅,范学新.哈萨克族婚嫁仪式歌中的女性民俗文化价值[J].内蒙古民族大学学报(社会科学版),2012(1):15-18. |
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| 作者姓名： | 潘帅 范学新 |
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| 作者单位： | 伊犁师范学院人文学院,新疆伊宁,835000 |
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| 摘 要： | 婚嫁仪式歌是哈萨克族习俗歌的主要种类之一,纵观整个婚嫁仪式,从"沙仁"、"加尔——加尔"、"森斯玛"、"阔尔斯"、"阔什塔斯"到"别塔夏尔",可以看出它是用歌唱串联起来的一部完整的"组歌"。本文以女性作为切入视角,从女性经历的"分离"、"通过"、"再进入"三个仪式出发,来探究哈萨克族女性婚恋观、家庭观,进一步揭示其体现的女性民俗文化价值,即:标记功能、文化符号、交流教育媒介。
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| 关 键 词： | 哈萨克族 婚嫁仪式歌 女性 民俗文化 |
On Cultural Value of Women Folk in Kazakh Wedding Cerenony Songs |
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| PAN Shuai,FAN Xue-xin.On Cultural Value of Women Folk in Kazakh Wedding Cerenony Songs[J].Journal of Inner Mongolia University for Nationalities(Social Sciences),2012(1):15-18. |
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| Authors: | PAN Shuai FAN Xue-xin |
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| Institution: | (Humanities College,Yili Normal College,Yili 835000,China) |
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| Abstract: | The wedding ceremony song is one of the main types of songs in kazakh custom.Throughout the whole wedding ceremony,from "Sha Ren","JiaEr-JiaEr","Sen Si Ma,","Kuo Er Si","Kuo Shi Ta Si" to "Bie Ta Xia Er",we can see that it is a complete "Group of Songs" made of different songs.This paper,from the women’s eyes,by describing the three ceremonies,"Separation","Transition","Reentrance",starts to explore the values of Kazak women’s love and marriage and family,and reveal its embodiment of women folk cultural value,namely: mark function,cultural symbols,communication education medium. |
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| Keywords: | Kazakh Wedding ceremony songs Female Folk culture |
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