| “九”体商榷 |
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| 引用本文： | 李晓黎.“九”体商榷[J].北京工业大学学报(社会科学版),2011,11(4):62-66. |
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| 作者姓名： | 李晓黎 |
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| 作者单位： | 南京大学文学院,南京210093;阜阳师范学院文学院,安徽阜阳236041 |
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| 摘 要： | 学界对＂九＂体的认识,有简单粗疏之嫌。＂汉三九＂九章成篇、代屈立言、悼屈抒愤的形式和内容并不能有效地概括＂九＂体的特点。认为＂九＂体发源于先秦的＂楚辞之三九＂,稍后在汉人手中正式定型。然自魏晋以来,其一直处于变化的状态,尤其是宋以后,明确越过＂汉三九＂,向＂楚辞之三九＂回归。内容上,凸显了两个新的主题,即抒写个人情思和祭祀。形式上,十一章与不分章的体制得到延续,另外,还出现了多种变体。
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| 关 键 词： | “九”体 抒情 祭祀 变体 |
Discussion on "Nine" Genre |
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| LI Xiao-li.Discussion on "Nine" Genre[J].Journal of Beijing Polytechnic University(Social Sciences Edition),2011,11(4):62-66. |
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| Authors: | LI Xiao-li |
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| Institution: | LI Xiao-li(1,2) (1.School of Literature,Nanjing University,Nanjing 210093,China; 2.School of Literature,Fuyang Normal College,Fuyang Anhui 236041,China) |
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| Abstract: | The academia’s understanding of "Nine" Genre is too simple to summary the features of it which are more complicated than nine chapters and speaking for Qu Yuan. This paper believes that "Nine" Genre originated in three pieces of "Nine" Genre in Chu Ci and formally settled in three pieces of "Nine" Genre in Han Dynasty.After Wei and Jin Dynasties,this genre had been in a state of changing,especially after the Song Dynasty;it clearly surmounted three pieces of "Nine" Genre in Han Dynasty and returned to Chu Ci. In content,it shows two other important themes,one is expressing personal emotions while the other is worship.In texture,types of eleven chapters and non-divided chapter also survived.Besides,it also appeared some kinds of variant. |
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| Keywords: | "Nine" Genre lyric sacrifice variant |
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