| 从“先王之乐”到“寂寞无听”——浅谈阮籍音乐美学思想的转变 |
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| 引用本文： | 徐晴岚.从“先王之乐”到“寂寞无听”——浅谈阮籍音乐美学思想的转变[J].湖北师范学院学报(哲学社会科学版),2007,27(5):20-22. |
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| 作者姓名： | 徐晴岚 |
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| 作者单位： | 湖北师范学院,音乐系,湖北,黄石,435002 |
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| 摘 要： | 魏晋之际混乱血腥的政治环境造成"名士少有全者".阮籍的音乐美学思想随着他的人生观、价值观的变化而变化.以"高平陵事件"为代表的政治事件粉碎了阮籍来自于"儒家"根深蒂固的入世理想,并极大地影响到他音乐美学思想的价值取向:由"儒家"转变为"道家".
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| 关 键 词： | 阮籍 音乐美学思想 转变 儒家 道家 |
Transformation of Ruanji's music aesthetic thoughts |
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| XU Qing-lan.Transformation of Ruanji''''s music aesthetic thoughts[J].Journal of Hubei Normal University(Philosophy and Social Science),2007,27(5):20-22. |
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| Authors: | XU Qing-lan |
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| Abstract: | On Music receives the music aesthetic thought of Confucian School.However,it doesn't contain Ruanji's all music aesthetic thoughts.The confused political environment between Wei and Jin makes "few personages perfect".Ruanji's music aesthetic thoughts changes as others' philosophy and values change.In this sense,"Gaopingling Event" is regarded as the turning point of his music thought transformation because it crushes up Ruanji's Confucian ideality in grain and so greatly affects the value orientation in his music aesthetic thoughts that his thought kernel is transformed from "Confucian One" into "Taoist One". |
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| Keywords: | Ruanji music aesthetic thoughts transformation Confucian Taoist |
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