扬雄赋论准则及其大赋创作模式

扬雄"诗人之赋丽以则"的赋论准则与批评的失误揭示了汉代赋体理论与创作实践的背离,其四大赋"以颂为讽"的创作模式更揭示了赋体理论在创作实践上的尴尬。扬雄大赋创作的失败及赋论导致的批评失误,是儒学主文而谲谏的诗教观在赋体理论与创作上的反映,也预示着此后大赋创作以颂美为主的历史转向。

Yang Xiong' s Criterion and Writing Pattern of the Genre of Fu

The misunderstanding of Yang Xiong(53 B.C.-18) on the crition of fu(verse-style prose),i.e.,A poet's fu must observe the principle of beauty.,and his mistakes in criticism,reflect the deviation of theories on the genre from its writing practice during the Han dynasty(202 B.C.-220).Yang's writing pattern as shown in his four famous works of fu,characterized by satire via eulogy,is further proof of the embarrassment faced by theories of fu in practice.Yang's failure in writing and his mistakes in criticism re...