| 从娱神到娱人——南朝乐府之神弦歌 |
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| 引用本文： | 吉凌.从娱神到娱人——南朝乐府之神弦歌[J].扬州大学学报(人文社会科学版),2012,16(1):74-79. |
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| 作者姓名： | 吉凌 |
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| 作者单位： | 新加坡国立大学中文系,新加坡 |
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| 摘 要： | 以郭茂倩《乐府诗集》中清商曲辞里的神弦歌18首为研究对象,横向考察神弦歌作为民间创作,产生与流传的社会环境及其地位;纵向探讨神弦歌作为祭祀歌谣,在巫觋淫祀的文学发展史上的作用和意义,由此可为神弦歌作出中国文学史上较为准确的定位。
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| 关 键 词： | 神弦歌 祭祀 娱神 娱人 |
The Stage of Transition Between Pleasing God and Pleasing Man: Shenxian Poems in South Dynasty |
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| JI Ling.The Stage of Transition Between Pleasing God and Pleasing Man: Shenxian Poems in South Dynasty[J].Journal of Yangzhou University(Humanities and Social Sciences Edition),2012,16(1):74-79. |
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| Authors: | JI Ling |
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| Institution: | JI Ling(Department of Chinese Studies,National University of Singapore,Singapore) |
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| Abstract: | This research focuses on a group of folks named Shenxian,which were collected in General Anthology of Yuefu Poems edited by Guo Maoqian.These folks were created during the period of South Dynasty(AD.420-589).The first part of the paper displayed the social environment in which these folks spread and the social position of these folks.The second part tried to investigate the literary role and position of these folks.The merit of this group of folks in literary history would turn out in the conclusion part. |
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| Keywords: | Shenxian Poems sacrifice pleasing God pleasing man |
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