| 论《白纻舞》的发展与唐代《白纻辞》的创作 |
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| 引用本文： | 杨名.论《白纻舞》的发展与唐代《白纻辞》的创作[J].西昌学院学报(社会科学版),2014(1):19-23. |
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| 作者姓名： | 杨名 |
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| 作者单位： | 南京师范大学文学院,江苏南京210024 |
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| 基金项目： | 江苏省2013年度普通高校研究生科研创新计划项目“唐代舞蹈诗研究”（项目编号：CXLX13-351）. |
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| 摘 要： | 《白纻舞》约产生于汉代,逐渐由民间巫舞发展为宫廷舞蹈。《白纻舞》在唐代前期亦十分兴盛,但在中晚唐时期则逐渐由无舞的清唱代替。唐人在《白纻辞》的创作中既有对前代的继承亦有开创,许多作品表现出对女性命运的关注,有的诗篇则寓有较深刻的讽谏意义。
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| 关 键 词： | 《白纻舞》 《白纻辞》 继承 开创 |
On the Development of BaizhuDanceand the Creation of BaizhuSongs |
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| YANG Ming.On the Development of BaizhuDanceand the Creation of BaizhuSongs[J].Journal of Xichang College :Social Science Edition,2014(1):19-23. |
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| Authors: | YANG Ming |
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| Institution: | YANG Ming (Literature Institute, Nanjing Normal University, Nanjing, Jiangsu 210024) |
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| Abstract: | BaizhuDancecame into being in the Han Dynasty. At first, it was a folk sorcery dance and then was introduced into the royal court. BaizhuDancewas flourishing during the early Tang dynasty, whereas it gradually lost ground to unaccompanied song during the middle-late Tang Dynasty. BaizhuSongnot only inherits tradition but also has its own innovations. Many songs are concerned about the fate of female, others are extremely ironical. |
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| Keywords: | BaizhuDance BaizhuSong inheritance innovation |
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