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现代小品笔法章法论
引用本文:欧明俊.现代小品笔法章法论[J].汕头大学学报(人文社会科学版),2005,21(4):32-37.
作者姓名:欧明俊
作者单位:福建师范大学文学院,福建,福州,350007
摘    要:现代小品理论强调小品笔法和章法的即兴随意、轻松自由、散漫无序、不拘格套,追求一种无笔法之“笔法”,无章法之“章法”。一切与传统、正统“载道”散文唱反调,将崇高凡庸化、整体零碎化、严肃轻松化。实质上是追求由文体的自由,表达思想的自由,自有积极意义,但“解构”和“颠覆”的消极一面亦不可忽视。

关 键 词:小品  笔法  章法  笔调  自由
文章编号:1001-4225(2005)04-0032-006
修稿时间:2005年3月28日

Writing Style and Art of Contemporary Essays
OU Ming-jun.Writing Style and Art of Contemporary Essays[J].Journal of Shantou University(Humanities Edition),2005,21(4):32-37.
Authors:OU Ming-jun
Abstract:The theories of contemporary essays stress the improvisation,irregularity,unrestraint,disorder and unconventionality in terms of writing techniques and art.Or rather,they pursue“no style”and“no art.”They go against the traditional essays which emphasize their moral teachings.They convert sublimity into commonplace,whole into fragments,and seriousness into lightness.The essence of this situation reflects the shift from the pursuit of freedom in style to the pursuit of thoughts. There is,naturally,some positive significance in this turn;meanwhile,the negative aspects shown in deconstruction and subversion cannot be neglected.
Keywords:essay  writing technique  writing art  writing tone  freedom
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