范式的转换与文艺理论的变革--当代中国文艺理论发展的流向

如果对当代中国文艺理论50年来范式的转换作一番动态考察，就会发现当代文艺理论经历了三次重大理论范式的演变。第一次是出现在五、六十年代的政治社会学一元理论，在与政治的互动中，它同政治一样具有无限的权势；第二次是在八、九十年代形成的多元理论，促使文艺理论由传统形态向当代形态演化；第三次是九十年代中期以后出现的多元互补的趋向，标志着文艺理论向当代形态不断增殖和提升。

Mode Transformation and Reform of Theory of Literature and Art

If we make a study upon contemporary Chinese literary theory in terms of its fifty-year evolution, we will realize that contemporary literary theory have undergone three important changes. The first change, which was marked by monism of political sociology, appeared in 1950s and 1960s. When literary theory manifested its supreme power in its mutual development with politics. 1980s and 1990s saw the second change in literary theory which had developed into its pluralism and had made literary theory change from tradition to its contemporary state. The third change of literary theory came after the mid-1990s when the tendency of mutual multi-complement appeared. This change marked in its evolution into its contemporary state.