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论两汉“情志合一”诗学思想
引用本文:辛文.论两汉“情志合一”诗学思想[J].江南大学学报(人文社会科学版),2008,7(4):81-85.
作者姓名:辛文
作者单位:江南大学文学院,江苏无锡214122
摘    要:中国古典诗论长期存在着“讽喻教化”和“吟咏情性”两种认识,两汉则是联系“言志”和“缘情”的过渡阶段,其诗学思想呈现出“情志合一”的面貌。由《诗大序》提出的“情志合一”的诗歌本体论,不断在诗赋创作和理论中体现。“志”乃是“诗言志”观念的延续与发挥,而“情”是更为有价值的提法,是文学思想萌发的标志,是诗学走向自觉的必经之途。

关 键 词:诗学  情志合一  自觉

View on the Poetry Theory of " Emotion and Ration" in Han Dynasty
XIN Wen.View on the Poetry Theory of " Emotion and Ration" in Han Dynasty[J].Journal of Southern Yangtze University:Humanities & Social Sciences Edition,2008,7(4):81-85.
Authors:XIN Wen
Institution:XIN Wen (Jiangnan Uinverslty Literature college, Wuxi 214122,China)
Abstract:In the history of Chinese classic literature theory, there existed two kinds of view of poetry. One was that the intrinsic character of a poem is rational, political, allegorical and educational . The other was that a poem is emotional essentially. In Han dynasty, the Preface of Poetry said that a poem is a combination of emotion and ration and had realized the importance of emotion in a poem, which approached the intrinsic character of poetry by aesthetic criteria and became a key phases in the course of Chinese poetry towards true conscious state.
Keywords:poetry  a combination of emotion and ration  consciousness
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